
The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
1445 · Tempera and gold on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
276 ms. The Metropolitan Museum of Art, Collection API (Open Access)
284 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 143,794 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
1445 · Tempera and gold on wood
Cleared · Public Domain
live
The Creation of Eve
Lucas Cranach the Younger and Workshop (d. 1586)
1586 · Woodcut
Cleared · Public Domain
live
The Fifth Day (Dies V): The Creation of the Kingdom of Animals, from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s second state of two
Cleared · Public Domain
live
The Fourth Day (Dies IV): The Creation of Day and Night, from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s second state of two
Cleared · Public Domain
live
The Sixth Day (Dies VI): The Creation of Adam and Eve, from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s third state of three
Cleared · Public Domain
live
The Firmament
Sir Nicolas Dorigny (d. 1746)
1695 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of Adam – The Breath of Life (La Création d'Adam)
Etienne Delaune (d. 1583)
1569 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of the Firmament, from "The Creation of the World"
Maerten de Vos (d. 1603)
ca. 1585 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of the Fish and the Birds, from "The Creation of the World"
Maerten de Vos (d. 1603)
ca. 1585 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The First Day: The Creation of Light, from "The Creation of the World"
Maerten de Vos (d. 1603)
ca. 1585 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Third Day: The Creation of the Land and Vegetation, from "The Creation of the World"
Maerten de Vos (d. 1603)
ca. 1585 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
10844--"The Firmament Showeth His Handiwork," Mexico
Benneville Lloyd Singley (d. 1938)
1900 · Albumen silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.