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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    393 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    253 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "The Crusaders Massacre the Inhabitants o"8 records

Institutions answered newest-first by record, interleaved

Relief Block with Coat of Arms of Cholula by an unrecorded maker, The Metropolitan Museum of Art

Relief Block with Coat of Arms of Cholula

Unrecorded maker

early 16th century · Stone, traces of stucco

Cleared · Public Domain

live
The MetSimilar
Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno) by Domenico Falcini, The Metropolitan Museum of Art

Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno)

Domenico Falcini (d. 1628)

1612 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3) by John Raphael Smith, The Metropolitan Museum of Art

The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3)

John Raphael Smith (d. 1812)

March 10, 1785 · Mezzotint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 9: The massacre of the inhabitants of Prato

Pietro Santi Bartoli (d. 1700)

ca. 1655–76 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Boston Massacre, March 5, 1770

William L. Champney (d. 1857)

1856 · Lithograph printed in color with hand coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Richard Coeur de Lion in Reprisal Massacres Captives, from "History of the Crusades"

Hélidore-Joseph Pisan (d. 1890)

after 1880 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Crusaders Massacre the Inhabitants of Caesarea, from "History of the Crusades"

Paul-Parcel Jonnard (d. 1902)

after 1880 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Massacre of Antioch, from "History of the Crusades"

Paul-Parcel Jonnard (d. 1902)

after 1880 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.