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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    240 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    370 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 53 matching records exist across the two collections.

Results for "The Custom House, Wall Street, Viewed fr"11 records

Institutions answered newest-first by record, interleaved

The Government House, New York by Charles Currier, The Metropolitan Museum of Art

The Government House, New York

Charles Currier (d. 1887)

1850–65 · Lithograph, printed in color with tint stone and hand-coloring in green watercolor; third state

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Old Fort, Playhouse, and Holwell's Monument

Thomas Daniell (d. 1840)

1786 · Hand-colored aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Wall Street and the Custom House, New York

Anonymous, American, 19th century (d. 1900)

ca. 1829 · Lithograph with crude hand coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Custom House, Wall Street

William H. Dougal (d. 1895)

1845 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Custom House, Wall Street, Viewed from Broad Street, Views in New York, No. 1 (recto) / Drawing of a House (verso)

Robert Kerr (d. 1904)

January 14, 1845 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Custom House, Wall Street, New York

William Wade (d. 1852)

ca. 1845 · Brown wash with white gouache and black ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Broadway, New York with Trinity Church at Center

Tallis & Co. (d. 1863)

1854 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maiden Lane from No. 1 to No. 65

Tallis & Co. (d. 1863)

1854 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maiden Lane from No. 2 to No. 62

Tallis & Co. (d. 1863)

1854 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Custom House, New York

Nathaniel Currier (d. 1888)

1848–56 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Custom House, New York

Nathaniel Currier (d. 1888)

1848–56 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.