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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    269 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    418 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8,603 matching records exist across the two collections.

Results for "The Dark Mountain, No. 1"12 records

Institutions answered newest-first by record, interleaved

Deceased censing and libating to the deified Mentuhotep and Ahmose-Nefertari, with the Hathor cow emerging from the mountain; Tomb of Ameneminet by Charles K. Wilkinson, The Metropolitan Museum of Art

Deceased censing and libating to the deified Mentuhotep and Ahmose-Nefertari, with the Hathor cow emerging from the mountain; Tomb of Ameneminet

Charles K. Wilkinson (d. 1986)

1924–1925; original ca. 1300–1080 BCE · Tempera on paper

Cleared · Public Domain

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The MetSimilar
The Mountain Ford by Thomas Cole, The Metropolitan Museum of Art

The Mountain Ford

Thomas Cole (d. 1848)

1846 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Little Putney, No. 1 (Little Putney Bridge) by James McNeill Whistler, The Metropolitan Museum of Art

The Little Putney, No. 1 (Little Putney Bridge)

James McNeill Whistler (d. 1903)

1879 · Etching and drypoint, printed in dark brownish-black ink on cream colored laid paper; fifth state of five (Glasgow); as published in 1883

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Windmill Hill, No. 1

Sir Francis Seymour Haden (d. 1910)

1877 · Drypoint; first state of two (Harrington); fourth state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dial, No. 3

Charles Haslewood Shannon (d. 1937)

1893 · Illustrations: woodcuts, lithographs, photomechanical process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dark Mountain, No. 1

Marsden Hartley (d. 1943)

1909 · Oil on commercially prepared paperboard (academy board)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dark Mountain, No. 2

Marsden Hartley (d. 1943)

1909 · Oil on commercially prepared paperboard (academy board), mounted to slatted wood board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Corn, Dark , No. 1

Georgia O'Keeffe (d. 1986)

1924 · Oil on wood fiberboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Collection "Décors et Couleurs" Album No. 2, Planche 1

Jean Burkhalter

[ca. 1930] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Collection "Décors et Couleurs" Album No. 2, Planche 10

Jean Burkhalter

[ca. 1930] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Collection "Décors et Couleurs" Album No. 2, Planche 11

Jean Burkhalter

[ca. 1930] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Collection "Décors et Couleurs" Album No. 2, Planche 17

Jean Burkhalter

[ca. 1930] · Pochoir

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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