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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    629 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    301 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 36,490 matching records exist across the two collections.

Results for "The Dayspring from on High"10 records

Institutions answered newest-first by record, interleaved

Terracotta bowl on a high stand by an unrecorded maker, The Metropolitan Museum of Art

Terracotta bowl on a high stand

Unrecorded maker

late 8th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta bowl on a high stand by an unrecorded maker, The Metropolitan Museum of Art

Terracotta bowl on a high stand

Unrecorded maker

late 8th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Shepherds by Workshop of the Master of the High Foreheads, The Metropolitan Museum of Art

The Adoration of the Shepherds

Workshop of the Master of the High Foreheads (d. 1600)

probably early 16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
High chest of drawers by an unrecorded maker, The Metropolitan Museum of Art

High chest of drawers

Unrecorded maker

1695–1720 · Sweet gum, yellow poplar, yellow pine, white oak

Cleared · Public Domain

live
The MetSimilar
High Chest of Drawers by an unrecorded maker, The Metropolitan Museum of Art

High Chest of Drawers

Unrecorded maker

1715–30 · Black walnut, white pine

Cleared · Public Domain

live
The MetSimilar
High chest of drawers by an unrecorded maker, The Metropolitan Museum of Art

High chest of drawers

Unrecorded maker

1730–40 · Painted maple, yellow pine

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The High Bridge at Harlem, New York

Henry Anstice (d. 1860)

1849 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dayspring from on High

Alexander Keighley (d. 1947)

1890s–1900s · Carbon print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Albuquerque High School from Albuquerque, New Mexico souvenir views (W500)

Unrecorded maker

ca. 1920–30 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

High Point

Terry Adkins (d. 2014)

1993 · Oxidized steel

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.