
Dead Christ Supported by Angels
Unrecorded maker
early 16th century · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
180 ms. The Metropolitan Museum of Art, Collection API (Open Access)
703 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 640 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Dead Christ Supported by Angels
Unrecorded maker
early 16th century · Bronze
Cleared · Public Domain
live
The Dead Christ Supported by the Virgin Mary and Saint John
Hans Multscher (d. 1467)
1427–1467 · Sculpture, bronze
Cleared · CC0
live
Studies of the Dead Christ supported by an Angel, with subsidiary studies for the same composition
Poppi (Francesco Morandini) (d. 1597)
ca. 1570 · Red and black chalk
Cleared · Public Domain
live
Christ on the Cross
Martin Schongauer (d. 1491)
1470–90 · Print, engraving
Cleared · CC0
live
The Dead Christ supported by an angel
Giuseppe Scolari (d. 1607)
1582 · Woodcut
Cleared · Public Domain
live
The Virgin Lamenting over the Dead Christ
Pietro Testa (d. 1650)
1612–50 · Pen and brown ink, on beige paper
Cleared · Public Domain
live
Pietà, the dead Christ supported by the Virgin, putti at the left
Joost de Pape (d. 1646)
ca. 1633–46 · Etching
Cleared · Public Domain
live
Dead Christ Supported by Angels
Francesco Trevisani (d. 1746)
ca. 1710 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Virgin Mourning the Dead Christ
Pietro Angeletti (d. 1786)
1783 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Virgin Mourning the Dead Christ
Pietro Angeletti (d. 1786)
1783 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.