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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    996 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    350 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,572 matching records exist across the two collections.

Results for "The Demidoff Table"12 records

Institutions answered newest-first by record, interleaved

The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art

The Farnese Table

Jacopo [Giacomo] Barozzi da Vignola (d. 1573)

ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers

Cleared · Public Domain

live
The MetSimilar
Traveling table (table de voyage or table pliante) by an unrecorded maker, The Metropolitan Museum of Art

Traveling table (table de voyage or table pliante)

Unrecorded maker

ca. 1700–1720 · Carved walnut; gilt-bronze mounts; steel hinges; linings of felt and leather

Cleared · Public Domain

live
The MetSimilar
Mechanical table (Table mécanique) by Jean Henri Riesener, The Metropolitan Museum of Art

Mechanical table (Table mécanique)

Jean Henri Riesener (d. 1806)

1778 · Oak veneered with marquetry of bois satiné, holly, amaranth, barberry, stained sycamore, and green-lacquered wood; gilt-bronze mounts; steel, iron and brass fittings; mirror glass; velvet (not original)

Cleared · Public Domain

live
The MetSimilar
Cruet frame (one of a pair) by Jean-Baptiste-Claude Odiot, The Metropolitan Museum of Art

Cruet frame (one of a pair)

Jean-Baptiste-Claude Odiot (d. 1850)

ca. 1817 · Silver gilt, glass

Cleared · Public Domain

live
The MetSimilar
The Demidoff Table by Lorenzo Bartolini, The Metropolitan Museum of Art

The Demidoff Table

Lorenzo Bartolini (d. 1850)

1845 · Marble

Cleared · Public Domain

live
The MetSimilar
Table by an unrecorded maker, The Metropolitan Museum of Art

Table

Unrecorded maker

ca. 1860 · Walnut, marble

Cleared · Public Domain

live
The MetSimilar
[Madame Demidoff and Unknown Sitters] by Pierre-Louis Pierson, The Metropolitan Museum of Art

[Madame Demidoff and Unknown Sitters]

Pierre-Louis Pierson (d. 1913)

before 1865 · Albumen silver prints from glass negatives with applied color

Cleared · Public Domain

live
The MetSimilar
Table by Léon Marcotte, The Metropolitan Museum of Art

Table

Léon Marcotte (d. 1887)

1860–72 · Walnut, amboina pine, maple, poplar, ash, cherry, hornbeam

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Table

Jean-François Leleu (d. 1807)

ca. 1766/7 · Tulipwood, Sèvres porcelain, gilt bronze, leather, silk moiré

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cruet frame (one of a pair)

Jean-Baptiste-Claude Odiot (d. 1850)

ca. 1817 · Silver gilt, glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Table

Gustav Stickley (d. 1942)

1900 · Oak

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Table

Frank Lloyd Wright (d. 1959)

1902–3 · Oak

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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