Herdsman and his Flock
Unrecorded maker
second half of 12th century · Opaque watercolor on paper
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
778 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
433 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 682 matching records exist across the two collections.
Results for "The Departure of the Flock"12 records
Institutions answered newest-first by record, interleaved
Departure of the Amazons
Claude Déruet (d. 1660)
1620s · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
The Departure of Hagar
Anthonie Waterloo (d. 1690)
17th century · Etching
Cleared · Public Domain
liveThe MetSimilar
The Departure of the Gondola
Giovanni Domenico Tiepolo (d. 1804)
mid-1760s · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
The Departure
Thomas Rowlandson (d. 1827)
April 29, 1784 · Etching; undescribed early state
Cleared · Public Domain
liveThe MetSimilar
The Departure
Thomas Rowlandson (d. 1827)
April 29, 1784 · Hand-colored etching
Cleared · Public Domain
liveThe MetSimilar
The Departure
Thomas Rowlandson (d. 1827)
April 29, 1784 · Hand-colored etching
Cleared · Public Domain
liveThe MetSimilar
The Departure of the Prodigal Son
James Tissot (d. 1902)
1862–63 · Point of brush and brown ink, brush and brown wash, over graphite (recto); graphite (verso)
Cleared · Public Domain
liveThe MetSimilar
The Departure of the Flock
Félix Brissot de Warville (d. 1892)
1880 · Etching and drypoint
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Departure of the Prodigal Son
Pierre Le Pautre (d. 1744)
late 17th century · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Flock by the Statue of Flora
Christian Wilhelm Ernst Dietrich (d. 1774)
1744 · Etching; fourth state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Departure, from "History of the Crusades"
Désiré-Mathieu Quesnel (d. 1915)
after 1880 · Wood engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.