
The Departure of the Prodigal Son, Shown About to Mount a Horse
Pietro Testa (d. 1650)
ca. 1645 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
327 ms. The Metropolitan Museum of Art, Collection API (Open Access)
329 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,069 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Departure of the Prodigal Son, Shown About to Mount a Horse
Pietro Testa (d. 1650)
ca. 1645 · Etching
Cleared · Public Domain
live
The Prodigal Son: Departure of the Prodigal Son
Hans Sebald Beham (d. 1550)
c. 1540 · Print, engraving
Cleared · CC0
live
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints
Pietro Testa (d. 1650)
ca. 1645 · Etching
Cleared · Public Domain
live
Study of a young man bending forward to kiss a hand, for the painting "The Departure of the Prodigal Son"
James Tissot (d. 1902)
1862–63 · Graphite, heightened with white, on pink paper
Cleared · Public Domain
live
The Departure of the Prodigal Son
James Tissot (d. 1902)
1862–63 · Point of brush and brown ink, brush and brown wash, over graphite (recto); graphite (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Departure of the Prodigal Son, from "The History of the Prodigal Son"
Sebald Beham (d. 1550)
1515–50 · Engraving; fifth of five states (possibly a copy)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son as a Swineherd, plate 3 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Feasting with Harlots, plate 2 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Leaving His Father's House, plate 1 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return of the Prodigal Son, plate 4 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Departure of the Prodigal Son
Pierre Le Pautre (d. 1744)
late 17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son
Simon Francis Ravenet, the elder (d. 1774)
1781 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.