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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    27 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    7 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 2,972 matching records exist across the two collections.

Results for "The Descent from the Cross by Torchlight"12 records

Institutions answered newest-first by record, interleaved

Descent from the Cross by an unrecorded maker, The Metropolitan Museum of Art

Descent from the Cross

Unrecorded maker

ca. 1475–1500 · Fruitwood with paint

Cleared · Public Domain

live
The MetSimilar
The Descent from the Cross by Torchlight by Rembrandt van Rijn, The Cleveland Museum of Art

The Descent from the Cross by Torchlight

Rembrandt van Rijn (d. 1669)

1654 · Print, etching and drypoint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Descent from the Cross by Hans Baldung (called Hans Baldung Grien), The Metropolitan Museum of Art

Descent from the Cross

Hans Baldung (called Hans Baldung Grien) (d. 1545)

1505 · Woodcut

Cleared · Public Domain

live
The MetSimilar
The Descent from the Cross by Torchlight by Rembrandt van Rijn, The Cleveland Museum of Art

The Descent from the Cross by Torchlight

Rembrandt van Rijn (d. 1669)

1654 · Print, etching and drypoint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Descent from the Cross by Master of the Holy Blood, The Metropolitan Museum of Art

The Descent from the Cross

Master of the Holy Blood (d. 1525)

1525 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Descent from the Cross by an unrecorded maker, The Metropolitan Museum of Art

Descent from the Cross

Unrecorded maker

early 16th century · Oak, polychromy and gilding

Cleared · Public Domain

live
The MetSimilar
Descent from the Cross by Jean Goujon, The Metropolitan Museum of Art

Descent from the Cross

Jean Goujon (d. 1565)

ca. 1555 · Alabaster with traces of gilding

Cleared · Public Domain

live
The MetSimilar
The Descent from the Cross by Master of the Die, The Metropolitan Museum of Art

The Descent from the Cross

Master of the Die (d. 1560)

1570 · Engraving

Cleared · Public Domain

live
The MetSimilar
Descent from the Cross by Hieronymus (Jerome) Wierix, The Metropolitan Museum of Art

Descent from the Cross

Hieronymus (Jerome) Wierix (d. 1619)

before 1619 · Engraving; second state of two

Cleared · Public Domain

live
The MetSimilar
Descent from the Cross by Wenceslaus Hollar, The Metropolitan Museum of Art

Descent from the Cross

Wenceslaus Hollar (d. 1677)

1640 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
Descent from the Cross by Torchlight by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Descent from the Cross by Torchlight

Rembrandt (Rembrandt van Rijn) (d. 1669)

1654 · Etching and drypoint; first of four states

Cleared · Public Domain

live
The MetSimilar
Descent from the Cross by Torchlight by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Descent from the Cross by Torchlight

Rembrandt (Rembrandt van Rijn) (d. 1669)

1654 · Etching and drypoint; first of four states

Cleared · Public Domain

live
The MetSimilar

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