
Descent into Limbo
Giovanni Antonio da Brescia
c. 1490–1500 · Print, engraving
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
514 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 7 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Descent into Limbo
Giovanni Antonio da Brescia
c. 1490–1500 · Print, engraving
Cleared · CC0
live
Passion of Jesus Christ: The Descent into Limbo
Master AG (d. 1490)
1400s · Print, engraving
Cleared · CC0
live
Pilgrim’s Flask
Unrecorded maker
c. 1099–1200 · Metalwork, lead
Cleared · CC0
live
The Passion: Descent into Limbo
Lucas van Leyden (d. 1533)
1521 · Print, engraving
Cleared · CC0
live
The Descent into Limbo
Unrecorded maker
1400s · Print, engraving
Cleared · CC0
live
The Mysteries of the Passion: The Descent into Limbo
Jacques Callot (d. 1635)
1631 · Print, etching
Cleared · CC0
live
Pendant with Reverse Intaglio of the Anastasis
Unrecorded maker
late 500s · Jewelry, rock crystal, with gold mount and chain
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.