
The Barn
Adriaen van Ostade (d. 1685)
1647 · Etching; third state of ten
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
177 ms. The Metropolitan Museum of Art, Collection API (Open Access)
253 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 238 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Barn
Adriaen van Ostade (d. 1685)
1647 · Etching; third state of ten
Cleared · Public Domain
live
The Barn
Adriaen van Ostade (d. 1685)
1647 · Etching
Cleared · Public Domain
live
The Barn
Adriaen van Ostade (d. 1685)
1647 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Deserted Village, A Poem
Isaac Taylor I (d. 1807)
1770 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Deserted Village
Oliver Goldsmith (d. 1774)
1861 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Barn Floor
Currier & Ives (d. 1907)
1868 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Red Barn
Arthur B. Davies (d. 1928)
1895 · Pastel, black chalk, and graphite on dark pink paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Barn
John Francis Murphy (d. 1921)
1906 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Barn
Ernest Haskell (d. 1925)
1923 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Deserted Factory
Abe Ajay (d. 1998)
1935–43 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Deserted Suburbs
Ray Klein (d. 1999)
1935–43 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Deserted Barn
Melville Thomas Wire (d. 1966)
1947 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.