
Gauntlet for the Right Hand, from Tannenberg Castle
Unrecorded maker
ca. 1380 · Steel
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
212 ms. The Metropolitan Museum of Art, Collection API (Open Access)
294 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 184 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Gauntlet for the Right Hand, from Tannenberg Castle
Unrecorded maker
ca. 1380 · Steel
Cleared · Public Domain
live
Coat of Plates, or Brigandine
Unrecorded maker
ca. 1400 · Steel, textile (hemp, probably cotton)
Cleared · Public Domain
live
Brigandine Plate
Unrecorded maker
1400–1450 · Iron alloy, copper alloy, textile
Cleared · Public Domain
live
Brigandine Plate
Unrecorded maker
1400–1450 · Iron alloy, copper alloy, textile (linen)
Cleared · Public Domain
live
The Destroying Angels (fragment), plate 9 from "The Apocalypse"
Hans Burgkmair (d. 1531)
1523–24 · Woodcut
Cleared · Public Domain
live
Pair of Thigh Defenses (Cuisses) with Knee Defenses (Poleyns)
Unrecorded maker
ca. 1425–50 and later · Steel, leather
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
D'après l'Antique, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragments d'un basrelief Antique, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Restes d'un ancien Temple octogone dédié à Junon, auprès de Pozzole, plate 5 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Dominico Montagu
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Slaughtering of a bull, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vuë Externe des trois chambres Sepulcrales qu'on croit être de la Famille d'Auguste, plate 19 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Dominico Montagu
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vuë Interieure d'une des trois chambres Sepulcrales qu'on croit être de la Famille d'Auguste, plate 20 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Dominico Montagu
1770 · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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