Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    3151 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    272 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 30 matching records exist across the two collections.

Results for "The Dirty Bride or the Marriage of Mopsu"12 records

Institutions answered newest-first by record, interleaved

Cluster Brooch with Letters Spelling "Amor" by an unrecorded maker, The Metropolitan Museum of Art

Cluster Brooch with Letters Spelling "Amor"

Unrecorded maker

mid-15th century · Gold, pearls, diamond, emerald paste, and silver pin

Cleared · Public Domain

live
The MetSimilar
The Marriage Feast at Cana by Juan de Flandes, The Metropolitan Museum of Art

The Marriage Feast at Cana

Juan de Flandes (d. 1519)

ca. 1497 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Ewer stand with male and female profiles and arms of the Orsini family by an unrecorded maker, The Metropolitan Museum of Art

Ewer stand with male and female profiles and arms of the Orsini family

Unrecorded maker

ca. 1500–1510 · Maiolica (tin-glazed earthenware), lustered

Cleared · Public Domain

live
The MetSimilar
Mary of Burgundy by Master H.A. or A.H., The Metropolitan Museum of Art

Mary of Burgundy

Master H.A. or A.H. (d. 1530)

1528 · Oil on fir panel

Cleared · Public Domain

live
The MetSimilar
The Dirty Bride or the Marriage of Mopsus and Nisa by Pieter Bruegel the Elder, The Metropolitan Museum of Art

The Dirty Bride or the Marriage of Mopsus and Nisa

Pieter Bruegel the Elder (d. 1569)

1570 · Engraving; first state of four

Cleared · Public Domain

live
The MetSimilar
The Dirty Bride or The Wedding of Mopsus and Nisa by Pieter Bruegel the Elder, The Metropolitan Museum of Art

The Dirty Bride or The Wedding of Mopsus and Nisa

Pieter Bruegel the Elder (d. 1569)

ca. 1566 · Pen and black-brown ink on white-prepared partially carved block of applewood

Cleared · Public Domain

live
The MetSimilar
Ketubah (Jewish Marriage Certificate) by an unrecorded maker, The Metropolitan Museum of Art

Ketubah (Jewish Marriage Certificate)

Unrecorded maker

dated 1889 · Carbon black ink, opaque watercolor with transparent glazes on paper

Cleared · Public Domain

live
The MetSimilar
Marriage Pendant (Thali) by an unrecorded maker, The Metropolitan Museum of Art

Marriage Pendant (Thali)

Unrecorded maker

17th–19th century · Gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Wedding Feast of Pirithous and Hippodamia, from Johannes van Heemskerck's poem "Publii Ovidii Nasonis Minne-Kunst," probably the first edition of title, frontispiece and eleven plates

David Vinckboons (d. 1629)

1622–1627 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wedding Tunic (Jebba)

Unrecorded maker

early 20th century · Cotton, metal wrapped thread, sequins; embroidered

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nested marriage basket set

Turka artists

Late 19th–early 20th century · Raffia palm, leather, thread

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Barkin or barshin (headrest)

Somali artist

19th–mid-20th century · Wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.