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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    413 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    382 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 76 matching records exist across the two collections.

Results for "The Dispute of the Church Fathers over t"12 records

Institutions answered newest-first by record, interleaved

Joseph (from a group with the Adoration of the Magi) by an unrecorded maker, The Metropolitan Museum of Art

Joseph (from a group with the Adoration of the Magi)

Unrecorded maker

ca. 1175–1200 · Limestone

Cleared · Public Domain

live
The MetSimilar
The Dispute of the Church Fathers over the Holy Sacrament by Cornelis Cort, The Metropolitan Museum of Art

The Dispute of the Church Fathers over the Holy Sacrament

Cornelis Cort (d. 1578)

1575 · Engraving

Cleared · Public Domain

live
The MetSimilar
A Wooded River Landscape with a Church and Figures by Hendrick Avercamp, The Metropolitan Museum of Art

A Wooded River Landscape with a Church and Figures

Hendrick Avercamp (d. 1634)

ca. 1613 · Gouache, watercolor, over lead point or graphite, on paper prepared with gouache; framing line in pen and brown ink and gold paint

Cleared · Public Domain

live
The MetSimilar
Groundplan of the Church of Saint John in ’s-Hertogenbosch by Pieter Jansz. Saenredam, The Metropolitan Museum of Art

Groundplan of the Church of Saint John in ’s-Hertogenbosch

Pieter Jansz. Saenredam (d. 1665)

1632 · Pen and brown ink, yellow, gray and red wash, over lead or graphite

Cleared · Public Domain

live
The MetSimilar
Study for a Seated Prelate (Saint Gregory the Great) by Carlo Maratti, The Metropolitan Museum of Art

Study for a Seated Prelate (Saint Gregory the Great)

Carlo Maratti (d. 1713)

1685–86 · Black chalk, highlighted with white chalk, on blue-gray paper

Cleared · Public Domain

live
The MetSimilar
Virgin of the Immaculate Conception by Lorenzo Vaccaro, The Metropolitan Museum of Art

Virgin of the Immaculate Conception

Lorenzo Vaccaro (d. 1706)

late 17th century · Bronze, fire-gilt; polychromy, silver

Cleared · Public Domain

live
The MetSimilar
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception by Carlo Maratti, The Metropolitan Museum of Art

The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception

Carlo Maratti (d. 1713)

1625–1713 · Pen and brown ink, red chalk, and a trace of brush and red wash

Cleared · Public Domain

live
The MetSimilar
Design for a Stage Set at the Opéra, Paris: Church Interior by Eugène Cicéri, The Metropolitan Museum of Art

Design for a Stage Set at the Opéra, Paris: Church Interior

Eugène Cicéri (d. 1890)

1830–90 · Pen and gray ink, brush and gray wash, gouache, over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dispute of the Church Fathers over the Holy Sacrament

Cornelis Cort (d. 1578)

1575 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Chancel, Saint Michael's Church, Charleston, South Carolina

Louis C. Tiffany (d. 1933)

ca. 1905 · Transparent and opaque watercolor, metallic paint, and graphite on paper mouted on paperboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Quilt, Double T pattern

E. L. (d. 9999)

1924 · Cotton

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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