
Joseph (from a group with the Adoration of the Magi)
Unrecorded maker
ca. 1175–1200 · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
413 ms. The Metropolitan Museum of Art, Collection API (Open Access)
382 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 76 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Joseph (from a group with the Adoration of the Magi)
Unrecorded maker
ca. 1175–1200 · Limestone
Cleared · Public Domain
live
The Dispute of the Church Fathers over the Holy Sacrament
Cornelis Cort (d. 1578)
1575 · Engraving
Cleared · Public Domain
live
A Wooded River Landscape with a Church and Figures
Hendrick Avercamp (d. 1634)
ca. 1613 · Gouache, watercolor, over lead point or graphite, on paper prepared with gouache; framing line in pen and brown ink and gold paint
Cleared · Public Domain
live
Groundplan of the Church of Saint John in ’s-Hertogenbosch
Pieter Jansz. Saenredam (d. 1665)
1632 · Pen and brown ink, yellow, gray and red wash, over lead or graphite
Cleared · Public Domain
live
Study for a Seated Prelate (Saint Gregory the Great)
Carlo Maratti (d. 1713)
1685–86 · Black chalk, highlighted with white chalk, on blue-gray paper
Cleared · Public Domain
live
Virgin of the Immaculate Conception
Lorenzo Vaccaro (d. 1706)
late 17th century · Bronze, fire-gilt; polychromy, silver
Cleared · Public Domain
live
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception
Carlo Maratti (d. 1713)
1625–1713 · Pen and brown ink, red chalk, and a trace of brush and red wash
Cleared · Public Domain
live
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri (d. 1890)
1830–90 · Pen and gray ink, brush and gray wash, gouache, over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dispute of the Church Fathers over the Holy Sacrament
Cornelis Cort (d. 1578)
1575 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
John Ruskin (d. 1900)
1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chancel, Saint Michael's Church, Charleston, South Carolina
Louis C. Tiffany (d. 1933)
ca. 1905 · Transparent and opaque watercolor, metallic paint, and graphite on paper mouted on paperboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quilt, Double T pattern
E. L. (d. 9999)
1924 · Cotton
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.