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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    1200 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    395 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 3,735 matching records exist across the two collections.

Results for "The Disrobing of Christ"12 records

Institutions answered newest-first by record, interleaved

Scenes from the Life of Christ: Disrobing Youths from the Entry into Jerusalem, Flagellation, and Angel at the Sepulchre by an unrecorded maker, The Metropolitan Museum of Art

Scenes from the Life of Christ: Disrobing Youths from the Entry into Jerusalem, Flagellation, and Angel at the Sepulchre

Unrecorded maker

13th century · Tempera on wood

Cleared · Public Domain

live
The MetSimilar
The Disrobing of Christ by Giovanni Domenico Tiepolo, The Cleveland Museum of Art

The Disrobing of Christ

Giovanni Domenico Tiepolo (d. 1804)

c. 1785–90 · Drawing, pen and brown and black ink, brush and black, brown, and red-brown wash, over black chalk; framing lines in pen and brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Triptych with the Way to Calvary, the Crucifixion, and the Disrobing of Jesus by an unrecorded maker, The Metropolitan Museum of Art

Triptych with the Way to Calvary, the Crucifixion, and the Disrobing of Jesus

Unrecorded maker

ca. 1400–1420 · Gilded copper, silver and paint

Cleared · Public Domain

live
The MetSimilar
Preparation for the Crucifixion by an unrecorded maker, The Cleveland Museum of Art

Preparation for the Crucifixion

Unrecorded maker

early 1600s · Painting, oil on copper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ecce Homo, (reverse) Christ Blessing; The Disrobing of Christ, (reverse) Saint John the Baptist by Cornelis Engebrechtsz, The Metropolitan Museum of Art

Ecce Homo, (reverse) Christ Blessing; The Disrobing of Christ, (reverse) Saint John the Baptist

Cornelis Engebrechtsz (d. 1527)

1527 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
The Mocking of Christ by Jan Rombouts, The Metropolitan Museum of Art

The Mocking of Christ

Jan Rombouts (d. 1535)

1529 · Stained glass

Cleared · Public Domain

live
The MetSimilar
The Arrest of Christ by Niccolò Giolfino, The Metropolitan Museum of Art

The Arrest of Christ

Niccolò Giolfino (d. 1555)

ca. 1545–46 · Brush and brown wash, highlighted with white gouache, over traces of black chalk, on greenish paper

Cleared · Public Domain

live
The MetSimilar
Christ before Pilate, from "The Passion of Christ" by Hendrick Goltzius, The Metropolitan Museum of Art

Christ before Pilate, from "The Passion of Christ"

Hendrick Goltzius (d. 1617)

1596 · Engraving

Cleared · Public Domain

live
The MetSimilar
Christ before Caiphas, from "The Passion of Christ" by Hendrick Goltzius, The Metropolitan Museum of Art

Christ before Caiphas, from "The Passion of Christ"

Hendrick Goltzius (d. 1617)

1597 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Betrayal of Christ, from "The Passion of Christ" by Hendrick Goltzius, The Metropolitan Museum of Art

The Betrayal of Christ, from "The Passion of Christ"

Hendrick Goltzius (d. 1617)

1598 · Engraving; second state of two

Cleared · Public Domain

live
The MetSimilar
The Betrayal of Christ, from "The Passion of Christ" by Hendrick Goltzius, The Metropolitan Museum of Art

The Betrayal of Christ, from "The Passion of Christ"

Hendrick Goltzius (d. 1617)

1598 · Engraving; second state of two

Cleared · Public Domain

live
The MetSimilar
Woman Disrobing by Okumura Toshinobu, The Metropolitan Museum of Art

Woman Disrobing

Okumura Toshinobu (d. 1750)

1760 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

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