Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    500 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    277 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,270 matching records exist across the two collections.

Results for "The Distribution of Fodder"11 records

Institutions answered newest-first by record, interleaved

Cuneiform tablet: administrative account concerning the distribution of barley and emmer by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform tablet: administrative account concerning the distribution of barley and emmer

Unrecorded maker

ca. 3100–2900 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform tablet: distribution of copper knives by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform tablet: distribution of copper knives

Unrecorded maker

ca. 2600–2350 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Distribution of the Catch by Night by Isaac van Ostade, The Metropolitan Museum of Art

Distribution of the Catch by Night

Isaac van Ostade (d. 1649)

17th century · Pen and brown ink, brush and gray wash over graphite.

Cleared · Public Domain

live
The MetSimilar
The Distribution of the Franciscan Cords by Jan Erasmus Quellinus, The Metropolitan Museum of Art

The Distribution of the Franciscan Cords

Jan Erasmus Quellinus (d. 1715)

1667 · Brush and black ink, gray wash, white, blue, and pink gouache, touches of red ink, over traces of black chalk, on brown paper. Traces of framing lines in pen and brown ink on three sides.

Cleared · Public Domain

live
The MetSimilar
Distribution of the American Art-Union Prizes, at the Tabernacle, Broadway, December 24, 1847 by Francis D'Avignon, The Metropolitan Museum of Art

Distribution of the American Art-Union Prizes, at the Tabernacle, Broadway, December 24, 1847

Francis D'Avignon (d. 1867)

1848 · Lithograph with tint stone

Cleared · Public Domain

live
The MetSimilar
Distribution of Eagles to Army by the Emperor. 1804. by Jean-Pierre Droz, The Metropolitan Museum of Art

Distribution of Eagles to Army by the Emperor. 1804.

Jean-Pierre Droz (d. 1823)

19th century · Gilt bronze, struck

Cleared · Public Domain

live
The MetSimilar
Distribution of Land by Luis Arenal, The Metropolitan Museum of Art

Distribution of Land

Luis Arenal (d. 1985)

1937 · Wood engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Distribution of Fodder

Jacques Philippe Le Bas (d. 1783)

1741 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Distribution of Premiums at the Society of Arts

James Barry (d. 1806)

1792, printed after 1806 · Etching and engraving; fourth state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The distribution of prizes for virtue in the Borghese Palace in Rome

Richard Brend'amour (d. 1915)

1885 · Photomechanical reproduction of a wood-engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Carne de Cañón (Cannon Fodder)

Morton Dimondstein (d. 2000)

1952 · Linocut

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.