
Bead
Unrecorded maker
11th century · Gold; filigree and granulation
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
432 ms. The Metropolitan Museum of Art, Collection API (Open Access)
291 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 101 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bead
Unrecorded maker
11th century · Gold; filigree and granulation
Cleared · Public Domain
live
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia) (d. 1482)
ca. 1455–60 · Tempera and gold on wood
Cleared · Public Domain
live
Prudence
Andrea della Robbia (d. 1525)
ca. 1475 · Glazed terracotta
Cleared · Public Domain
live
Incense burner
Unrecorded maker
ca. 1530–40 · Bronze
Cleared · Public Domain
live
Incense burner
Unrecorded maker
ca. 1550 · Bronze
Cleared · Public Domain
live
Musette Baroque
Unknown
ca. 1700 · Leather, ivory, silk, wood, silver, iron
Cleared · Public Domain
live
Carriages
Charles Crace (d. 1784)
1750 · Illustrations: etching and engraving
Cleared · Public Domain
live
Knob depicting a balloon ascent
Unrecorded maker
ca. 1784 · Enamel on copper, brass
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sauceboat (Argyle) (part of a set)
Josiah Wedgwood (d. 1795)
ca. 1780 · Creamware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dome, Quarterly, no. 4
Unicorn Press (d. 1950)
1898 · Illustrations: photomechanical process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dome, Quarterly, no. 5
Unicorn Press (d. 1950)
1898 · Illustrations: photomechanical process prints and transfer lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Page, Volume 1
Edward Gordon Craig (d. 1966)
1898 · Illustrations: woodcuts, some hand-colored
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.