
Tile from a Squinch
Unrecorded maker
second half 14th century · Stonepaste; carved and glazed
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
364 ms. The Metropolitan Museum of Art, Collection API (Open Access)
473 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tile from a Squinch
Unrecorded maker
second half 14th century · Stonepaste; carved and glazed
Cleared · Public Domain
live
Moscow, Domes of Churches in the Kremlin
Roger Fenton (d. 1819)
1852 · Salted paper print from paper negative
Cleared · Public Domain
live![[The Taj Mahal from the Banks of the Yamuna River] by John Murray, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP143011.jpg)
[The Taj Mahal from the Banks of the Yamuna River]
John Murray (d. 1898)
1858–62 · Albumen silver print from paper negative
Cleared · Public Domain
live
The Domes from Sentinel Dome
Carleton E. Watkins (d. 1916)
1866 · Albumen silver print from glass negative
Cleared · Public Domain
live
The Domes, Yosemite
Carleton E. Watkins (d. 1916)
ca. 1872, printed ca. 1876 · Albumen silver print from glass negative
Cleared · Public Domain
live
The Domes, Yosemite
Carleton E. Watkins (d. 1916)
ca. 1872, printed ca. 1876 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dixième Cahier du Recueil d'Ornemens: Trophées du Bosquet des Domes, dans le Parc de Versailles (Designs for trophies taken from the marble balustrade in the Bosquet des Domes in the gardens of the Palace of Versailles)
Louise Brinclaire (d. 1783)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Pavilion at Brighton, West Front
Joseph Constantine Stadler (d. 1822)
1808 · Aquatint and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Coupoles du Saint Sépulcre, Jérusalem
Félix Bonfils (d. 1885)
1870s · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three Domes: Hinkley, Three Domes: Antelope Valley, Three Domes: California City
Mark Ruwedel (d. 9999)
2013 · Gelatin silver prints
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.