
Fragment from the Tomb of John the Fearless and Margaret of Bavaria, Duke and Duchess of Burgundy
Jean de la Huerta (d. 1462)
ca. 1443–55 · Alabaster
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
285 ms. The Metropolitan Museum of Art, Collection API (Open Access)
319 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,932 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment from the Tomb of John the Fearless and Margaret of Bavaria, Duke and Duchess of Burgundy
Jean de la Huerta (d. 1462)
ca. 1443–55 · Alabaster
Cleared · Public Domain
live
Embroidered picture of Queen Anne and the Duke of Marlborough
Unrecorded maker
1710 · Silk, wool, beads, isinglass, and metal thread on satin
Cleared · Public Domain
live
John Churchill, 1st Duke of Marlborough
John Faber, the Elder (d. 1721)
early 18th century · Pen and ink on vellum
Cleared · Public Domain
live
Sauceboat with depictions of Commodore Howe and the Duke of Marlborough
Vauxhall (d. 1768)
ca. 1758 · Soft-paste porcelain
Cleared · Public Domain
live
Marriage of Cupid and Psyche (The Marlborough Gem)
Wedgwood and Bentley (d. 1780)
ca. 1777–80 · Jasper dip
Cleared · Public Domain
live
Portrait of George, 5th Duke of Marlborough, with Blenheim Palace in the Distance
Richard Cosway (d. 1821)
1817–21 · Graphite and watercolor
Cleared · Public Domain
live
Duchess of Devonshire Portrait Diamond
Unrecorded maker
19th century · Diamond and painted ivory
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
George Duke of Albemarle and his Duchesse
Anne (née Clarges), Duchess of Albemarle (d. 1670)
after 1660 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Duke and Duchess of Marlborough and Lord Francis Spencer, their Son
Francesco Bartolozzi (d. 1815)
1786 · Stipple engraving, engraving and etching; fourth state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Duchess of Marlborough (Consuelo Vanderbilt)
John Singer Sargent (d. 1925)
ca. 1905 · Graphite on white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Duke and Duchess of Cumberland (The Morning Walk)
Samuel Arlent Edwards (d. 1938)
1907 (?) · Mezzotint on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Duke and Duchess of Windsor, New York City
Richard Avedon (d. 2004)
April 16, 1957 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.