Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    285 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7,932 matching records exist across the two collections.

Results for "The Duke and Duchess of Marlborough and"12 records

Institutions answered newest-first by record, interleaved

Fragment from the Tomb of John the Fearless and Margaret of Bavaria, Duke and Duchess of Burgundy by Jean de la Huerta, The Metropolitan Museum of Art

Fragment from the Tomb of John the Fearless and Margaret of Bavaria, Duke and Duchess of Burgundy

Jean de la Huerta (d. 1462)

ca. 1443–55 · Alabaster

Cleared · Public Domain

live
The MetSimilar
Embroidered picture of Queen Anne and the Duke of Marlborough by an unrecorded maker, The Metropolitan Museum of Art

Embroidered picture of Queen Anne and the Duke of Marlborough

Unrecorded maker

1710 · Silk, wool, beads, isinglass, and metal thread on satin

Cleared · Public Domain

live
The MetSimilar
John Churchill, 1st Duke of Marlborough by John Faber, the Elder, The Metropolitan Museum of Art

John Churchill, 1st Duke of Marlborough

John Faber, the Elder (d. 1721)

early 18th century · Pen and ink on vellum

Cleared · Public Domain

live
The MetSimilar
Sauceboat with depictions of Commodore Howe and the Duke of Marlborough by Vauxhall, The Metropolitan Museum of Art

Sauceboat with depictions of Commodore Howe and the Duke of Marlborough

Vauxhall (d. 1768)

ca. 1758 · Soft-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Marriage of Cupid and Psyche (The Marlborough Gem) by Wedgwood and Bentley, The Metropolitan Museum of Art

Marriage of Cupid and Psyche (The Marlborough Gem)

Wedgwood and Bentley (d. 1780)

ca. 1777–80 · Jasper dip

Cleared · Public Domain

live
The MetSimilar
Portrait of George, 5th Duke of Marlborough, with Blenheim Palace in the Distance by Richard Cosway, The Metropolitan Museum of Art

Portrait of George, 5th Duke of Marlborough, with Blenheim Palace in the Distance

Richard Cosway (d. 1821)

1817–21 · Graphite and watercolor

Cleared · Public Domain

live
The MetSimilar
Duchess of Devonshire Portrait Diamond by an unrecorded maker, The Metropolitan Museum of Art

Duchess of Devonshire Portrait Diamond

Unrecorded maker

19th century · Diamond and painted ivory

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

George Duke of Albemarle and his Duchesse

Anne (née Clarges), Duchess of Albemarle (d. 1670)

after 1660 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Duke and Duchess of Marlborough and Lord Francis Spencer, their Son

Francesco Bartolozzi (d. 1815)

1786 · Stipple engraving, engraving and etching; fourth state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Duchess of Marlborough (Consuelo Vanderbilt)

John Singer Sargent (d. 1925)

ca. 1905 · Graphite on white wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Duke and Duchess of Cumberland (The Morning Walk)

Samuel Arlent Edwards (d. 1938)

1907 (?) · Mezzotint on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Duke and Duchess of Windsor, New York City

Richard Avedon (d. 2004)

April 16, 1957 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.