Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
431 ms. The Metropolitan Museum of Art, Collection API (Open Access)
528 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 26,958 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Cottage near the Entrance to a Wood
Rembrandt (Rembrandt van Rijn) (d. 1669)
1644 · Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
Cleared · Public Domain
live
Edge of the Woods Near L'Hermitage, Pontoise
Camille Pissarro (d. 1903)
1879 · Painting, oil on fabric
Cleared · CC0
live
At the Edge of the Forest
August Heinrich (d. 1822)
ca. 1820 · Oil on canvas
Cleared · Public Domain
live
The Edge of the Wood - Evening (Letitia Felix)
Clarence H. White (d. 1925)
1900 · Photograph, photogravure
Cleared · CC0
live
The Edge of the Woods
Narcisse-Virgile Diaz de la Peña (d. 1876)
1872 · Oil on wood
Cleared · Public Domain
live
A Track on the Edge of a Wood with a Peasant Carrying Sheep
Anthonie Waterloo (d. 1690)
after 1640 · Drawing, Charcoal and wetted charcoal and gray wash on cream laid paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Edge of the Wood
Wenceslaus Hollar (d. 1677)
1649 · Etching; first state of three
In copyright
live
Portrait of a Woman
Rembrandt van Rijn (d. 1669)
1635 or earlier · Painting, oil on wood
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Edge of the Wood
Wenceslaus Hollar (d. 1677)
1649 · Etching; second state of three
In copyright
live
Icon of the Mother of God and Infant Christ (Virgin Eleousa)
Angelos Akotantos (d. 1450)
c. 1425–50 · Painting, tempera and gold on wood
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Deer at the Edge of a Wood
Jean Victor Bertin (d. 1842)
1835 · Oil on paper, laid down on canvas
In copyright
live
Peasants at the Edge of a Wood
Jacob van Mosscher (d. 1655)
c. 1630 · Drawing, black chalk and brush and brown wash; framing lines in black ink
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.