Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    574 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    311 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 103 matching records exist across the two collections.

Results for "The Edge of the Woods at Monts-Girard, F"12 records

Institutions answered newest-first by record, interleaved

Watch by F. L. Meybom, The Metropolitan Museum of Art

Watch

F. L. Meybom (d. 1710)

ca. 1670–75 · Case: gold, blued steel, rock crystal, partly gilded silver, and diamonds; Dial: painted enamel and basse-taille enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
A Gathering at Wood's Edge by Jean Honoré Fragonard, The Metropolitan Museum of Art

A Gathering at Wood's Edge

Jean Honoré Fragonard (d. 1806)

ca. 1770–73 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Pochette by an unrecorded maker, The Metropolitan Museum of Art

Pochette

Unrecorded maker

ca. 1815 · Various woods, ivory

Cleared · Public Domain

live
The MetSimilar
Prisoners in irons; page 80 from the "Images of Spain" Album (F) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Prisoners in irons; page 80 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1812–20 · Brush, brown ink washes, over touche of black chalk

Cleared · Public Domain

live
The MetSimilar
A woodland scene at dusk (recto); A study of trees and foliage (verso) by William James Müller, The Metropolitan Museum of Art

A woodland scene at dusk (recto); A study of trees and foliage (verso)

William James Müller (d. 1845)

1833–45 · Watercolor and gouache (bodycolor) over graphite, with reductive techniques, stopping out, and gum arabic on blue-gray paper

Cleared · Public Domain

live
The MetSimilar
The New York Drawing Book, Containing a Series of Original Designs and Sketches of American Scenery, by F. Palmer, No. 1 by Frances Flora Bond Palmer, The Metropolitan Museum of Art

The New York Drawing Book, Containing a Series of Original Designs and Sketches of American Scenery, by F. Palmer, No. 1

Frances Flora Bond Palmer (d. 1876)

1847 · Illustrations: lithographs

Cleared · Public Domain

live
The MetSimilar
The Edge of the Woods at Monts-Girard, Fontainebleau Forest by Théodore Rousseau, The Metropolitan Museum of Art

The Edge of the Woods at Monts-Girard, Fontainebleau Forest

Théodore Rousseau (d. 1867)

1852–54 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Wheat–Field in Which General Reynolds Was Shot by Unknown, The Metropolitan Museum of Art

Wheat–Field in Which General Reynolds Was Shot

Unknown

July 1863 · Albumen silver prints from glass negatives

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christie McDonald, from the Actresses series (N252-F) issued by P. Lorillard Company to promote Tiger Fine Cut and Rose Leaf Cut Plug Tobacco

P. Lorillard Company (d. 2014)

1880s · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Edith Crane, from the Actresses series (N252-F) issued by P. Lorillard Company to promote Tiger Fine Cut and Rose Leaf Cut Plug Tobacco

P. Lorillard Company (d. 2014)

1880s · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Florence Girard from Actresses (N343), Type 1, issued by Thomas H. Hall Tobacco to promote Between the Acts Cigarettes

Thomas H. Hall Tobacco

1891 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Newspaper Cuttings from The Architect; The Art Annual; The Bat; The Boy's Own Paper; The British Architect; Building News; Daily Graphic; Daily News; The Daily Telegraph; Echo; Evening Echo; Figaro; Fun; Graphic; Harper's; The Hornet; The Hour; Illustrated London News; Observer; The Pall Mall Gazette; The Portfolio; Society; The Star; Telegraph; The Times; Time, A Monthly Magazine; The West Middlesex Advertiser; The World

Pickford Robert Waller (d. 1930)

ca. 1873–ca. 1908 · Illustrations: wood engraving and etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.