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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    248 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    329 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 5,782 matching records exist across the two collections.

Results for "The Emblem"12 records

Institutions answered newest-first by record, interleaved

Hathor / Bat emblem by an unrecorded maker, The Metropolitan Museum of Art

Hathor / Bat emblem

Unrecorded maker

ca. 1550–1479 BCE · Elephant ivory, blue pigment

Cleared · Public Domain

live
The MetSimilar
The Emblem by Michael Wolgemut, The Cleveland Museum of Art

The Emblem

Michael Wolgemut (d. 1519)

1493 · Print, woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mirror with Handle in the Form of a Hathor Emblem by an unrecorded maker, The Metropolitan Museum of Art

Mirror with Handle in the Form of a Hathor Emblem

Unrecorded maker

ca. 1479–1425 BCE · Disk: silver; handle: wood (modern) sheathed in gold (ancient)

Cleared · Public Domain

live
The MetSimilar
Plaque by an unrecorded maker, The Cleveland Museum of Art

Plaque

Unrecorded maker

c. 500–200 BCE · Jewelry, hammered and cut gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Scarab with Hathor emblem by an unrecorded maker, The Metropolitan Museum of Art

Scarab with Hathor emblem

Unrecorded maker

ca. 1550–1425 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Finial with Bird (Harpy Eagle with Royal Flycatcher Crest?) by an unrecorded maker, The Cleveland Museum of Art

Finial with Bird (Harpy Eagle with Royal Flycatcher Crest?)

Unrecorded maker

400–1000 · Metalwork, gold, cast

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Hathor emblem from a sistrum by an unrecorded maker, The Metropolitan Museum of Art

Hathor emblem from a sistrum

Unrecorded maker

664–332 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Finial with Two Deer by an unrecorded maker, The Cleveland Museum of Art

Finial with Two Deer

Unrecorded maker

400–1000 · Metalwork, gold, cast

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ta-wer emblem (Abydos Fetish) by an unrecorded maker, The Metropolitan Museum of Art

Ta-wer emblem (Abydos Fetish)

Unrecorded maker

ca. 1300–30 BCE · Wood, paint

Cleared · Public Domain

live
The MetSimilar
Saint Deicolus and the Boar by Johann Wolfgang Baumgartner, The Cleveland Museum of Art

Saint Deicolus and the Boar

Johann Wolfgang Baumgartner (d. 1761)

1747–48 · Drawing, pen and brown and gray inks and brush and gray wash heightened with white gouache; incised, verso coated with red chalk

Cleared · CC0

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Cleveland Museum of ArtSimilar
Sprinkler Bottle with Fesse Emblem by an unrecorded maker, The Metropolitan Museum of Art

Sprinkler Bottle with Fesse Emblem

Unrecorded maker

late 13th–early 14th century · Glass, colorless; blown, applied handles, enameled, and gilded

Cleared · Public Domain

live
The MetSimilar
An Episode from the Story of the Sasanian King Khusrau and His Beloved Shirin, from a Khamsa (Quintet) of Nizami (1141–1209) (verso) by an unrecorded maker, The Cleveland Museum of Art

An Episode from the Story of the Sasanian King Khusrau and His Beloved Shirin, from a Khamsa (Quintet) of Nizami (1141–1209) (verso)

Unrecorded maker

1540–70 · Manuscript, opaque watercolor, ink, gold, and silver on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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