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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    222 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    512 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "The Emblem Flower: Mary Washburn to Miss"8 records

Institutions answered newest-first by record, interleaved

Sampler by Abigail Ridgway, The Metropolitan Museum of Art

Sampler

Abigail Ridgway (d. 1825)

1795 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Needlework Picture by Miss Mary Balch's Boarding and Day School, The Metropolitan Museum of Art

Needlework Picture

Miss Mary Balch's Boarding and Day School (d. 9999)

ca. 1800 · Silk and chenille embroidery on silk

Cleared · Public Domain

live
The MetSimilar
The Shepherdess of the Alps by Evelina Hull, The Metropolitan Museum of Art

The Shepherdess of the Alps

Evelina Hull (d. 1857)

ca. 1812 · Silk embroidered with silk thread, watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Emblem Flower: Mary Washburn to Miss L.A. Bard

Mary Washburn (d. 1842)

April 16, 1842 · Pen and ink and watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Mason Jackson (d. 1903)

1865–70 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

William Biscombe Gardner (d. 1919)

1876–80 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Valentine's Day Card in its Original Envelope

Anonymous, American, 19th century (d. 1900)

1850–99

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.