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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    351 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    315 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 70 matching records exist across the two collections.

Results for "The English Cemetery, Rome"12 records

Institutions answered newest-first by record, interleaved

Terracotta four-handled amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta four-handled amphora (jar)

Unrecorded maker

ca. 675–650 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Figure of Christ from a Deposition Group by an unrecorded maker, The Metropolitan Museum of Art

Figure of Christ from a Deposition Group

Unrecorded maker

ca. 1125–50 · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Joseph of Arimathea from a Deposition Group by an unrecorded maker, The Metropolitan Museum of Art

Joseph of Arimathea from a Deposition Group

Unrecorded maker

ca. 1125–50 · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Bust of an Englishman by Peter Anton von Verschaffelt, The Metropolitan Museum of Art

Bust of an Englishman

Peter Anton von Verschaffelt (d. 1793)

1740 · Bust: Carrara marble; socle: gray marble

Cleared · Public Domain

live
The MetSimilar
The English Jesuit by Matthias Darly, The Metropolitan Museum of Art

The English Jesuit

Matthias Darly (d. 1780)

October 7, 1771 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nemi

Johann Georg von Dillis (d. 1841)

ca. 1805 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The English Cemetery, Rome

Sir David Young Cameron (d. 1945)

1893 · Etching; only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountain in the Piazza Farnese

Rudolph Ruzicka (d. 1978)

1914 · Wood engraving, proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountain in the Piazza Farnese

Rudolph Ruzicka (d. 1978)

1914 · Wood engraving, proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountain of the Amorini, Villa Borghese

Rudolph Ruzicka (d. 1978)

1914 · Wood engraving, proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fountain of the Sea-Horses

Rudolph Ruzicka (d. 1978)

1914 · Wood engraving, proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cemetery Live Oak

Ernest Haskell (d. 1925)

1916 · Etching and engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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