
Terracotta four-handled amphora (jar)
Unrecorded maker
ca. 675–650 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
351 ms. The Metropolitan Museum of Art, Collection API (Open Access)
315 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 70 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta four-handled amphora (jar)
Unrecorded maker
ca. 675–650 BCE · Terracotta
Cleared · Public Domain
live
Figure of Christ from a Deposition Group
Unrecorded maker
ca. 1125–50 · Copper alloy
Cleared · Public Domain
live
Joseph of Arimathea from a Deposition Group
Unrecorded maker
ca. 1125–50 · Copper alloy
Cleared · Public Domain
live
Bust of an Englishman
Peter Anton von Verschaffelt (d. 1793)
1740 · Bust: Carrara marble; socle: gray marble
Cleared · Public Domain
live
The English Jesuit
Matthias Darly (d. 1780)
October 7, 1771 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nemi
Johann Georg von Dillis (d. 1841)
ca. 1805 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The English Cemetery, Rome
Sir David Young Cameron (d. 1945)
1893 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain in the Piazza Farnese
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain in the Piazza Farnese
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain of the Amorini, Villa Borghese
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fountain of the Sea-Horses
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cemetery Live Oak
Ernest Haskell (d. 1925)
1916 · Etching and engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.