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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    4556 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    375 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,276 matching records exist across the two collections.

Results for "The Entrance Door of the East Front of M"12 records

Institutions answered newest-first by record, interleaved

False door from the tomb of Metjetji by an unrecorded maker, The Metropolitan Museum of Art

False door from the tomb of Metjetji

Unrecorded maker

ca. 2353–2323 BCE · Limestone, paint traces

Cleared · Public Domain

live
The MetSimilar
False Door of the Royal Sealer Neferiu by an unrecorded maker, The Metropolitan Museum of Art

False Door of the Royal Sealer Neferiu

Unrecorded maker

ca. 2150–2010 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Door by an unrecorded maker, The Metropolitan Museum of Art

Door

Unrecorded maker

13th century · Wood, paint, and wrought iron

Cleared · Public Domain

live
The MetSimilar
Part of the Entrance of the Polish Legation (L and M) by Stefano della Bella, The Metropolitan Museum of Art

Part of the Entrance of the Polish Legation (L and M)

Stefano della Bella (d. 1664)

1633 · Etching, state i

Cleared · Public Domain

live
The MetSimilar
The Open Door by William Henry Fox Talbot, The Metropolitan Museum of Art

The Open Door

William Henry Fox Talbot (d. 1877)

before May 1844 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Entrance Door of the East Front of Mansion House (Sezincote House, plate 2)

John Martin (d. 1854)

1817–18 · Aquatint and etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Door

H. Van Buren Magonigle (d. 1935)

1915 · Iron, marble

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Monticello–The East Front

Thomas Jefferson Memorial Foundation for the Benefit of Monticello

1928 · Photomechanically printed in sepia

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fowley House, Designs for Entrance Door, and Plan of the Porch

Anonymous, British, 20th century (d. 1999)

ca. 1930 · Graphite, pen and ink and watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The entrance front, with entrance loggia.

David Aronow

1930s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The entrance front, with pergola and entrance loggia.

David Aronow

1930s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Door

William Wegman (d. 9999)

1970–71 · Single-channel digital video, transferred from Sony CV 1/2-inch video tape, black-and-white, sound, 2 min., 9 sec.

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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