
False door from the tomb of Metjetji
Unrecorded maker
ca. 2353–2323 BCE · Limestone, paint traces
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
4556 ms. The Metropolitan Museum of Art, Collection API (Open Access)
375 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,276 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

False door from the tomb of Metjetji
Unrecorded maker
ca. 2353–2323 BCE · Limestone, paint traces
Cleared · Public Domain
live
False Door of the Royal Sealer Neferiu
Unrecorded maker
ca. 2150–2010 BCE · Limestone, paint
Cleared · Public Domain
live
Door
Unrecorded maker
13th century · Wood, paint, and wrought iron
Cleared · Public Domain
live
Part of the Entrance of the Polish Legation (L and M)
Stefano della Bella (d. 1664)
1633 · Etching, state i
Cleared · Public Domain
live
The Open Door
William Henry Fox Talbot (d. 1877)
before May 1844 · Salted paper print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Entrance Door of the East Front of Mansion House (Sezincote House, plate 2)
John Martin (d. 1854)
1817–18 · Aquatint and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Door
H. Van Buren Magonigle (d. 1935)
1915 · Iron, marble
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Monticello–The East Front
Thomas Jefferson Memorial Foundation for the Benefit of Monticello
1928 · Photomechanically printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fowley House, Designs for Entrance Door, and Plan of the Porch
Anonymous, British, 20th century (d. 1999)
ca. 1930 · Graphite, pen and ink and watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance front, with entrance loggia.
David Aronow
1930s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance front, with pergola and entrance loggia.
David Aronow
1930s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Door
William Wegman (d. 9999)
1970–71 · Single-channel digital video, transferred from Sony CV 1/2-inch video tape, black-and-white, sound, 2 min., 9 sec.
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.