Design for a Classical Country House, Entrance Elevation
Anonymous, British, 19th century (d. 1900)
early 19th century · Watercolor, pen and ink
Cleared · Public Domain
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A painting can be out of copyright and thephotograph of it can still be protected.
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Where this page got its records
- The Metlive
187 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
301 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Results for "The Entrance Portico of the Château d'An"11 records
Institutions answered newest-first by record, interleaved
The Entrance Portico of the Château d'Anet, seen from the interior of the courtyard
Jean Lubin Vauzelle (d. 1837)
n.d. · Pen and black ink, watercolor, over black chalk
Cleared · Public Domain
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Reconstruction and Re-consecration of the Basilica of Saint Paul Outside the Walls under Pope Pius IX
Giuseppe Bianchi (d. 1877)
1865 · Bronze
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Church Portico at Left and a Mansion Entrance at Right, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Designs for Iron Fences at Left and a Church Portico at Right, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reconstruction of some of the details of the façade of the principal entrance of the Portico of Octavia, tome 4, tavola 42 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sacrifice a Cibele dans l'antre du Mont Ida, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vüe des restes du Portique d'Octavie soeur d'Auguste, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Portico of Octavia: The Entrance Porch. Exterior. (Veduta dell'Atrio del Portico di Ottavia)
Giovanni Battista Piranesi (d. 1778)
ca. 1760 · etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance door to part of the villa called the "Sette Bassi" on the Road to Frascati (Avanzi d'un portico coperta, o criptoportico, in una villa di Domiziano cinque miglia lontan da Roma su la via di Frascati)
Giovanni Battista Piranesi (d. 1778)
ca. 1766 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Spring Morning in the Heart of the City
Childe Hassam (d. 1935)
1890, reworked 1895–99 · Oil on canvas
In copyright
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