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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    233 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    707 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 9,243 matching records exist across the two collections.

Results for "The Entrance to a Wood"12 records

Institutions answered newest-first by record, interleaved

Cottage near the Entrance to a Wood by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Cottage near the Entrance to a Wood

Rembrandt (Rembrandt van Rijn) (d. 1669)

1644 · Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).

Cleared · Public Domain

live
The MetSimilar
The Farm at the Entrance of the Wood by Rosa Bonheur, The Cleveland Museum of Art

The Farm at the Entrance of the Wood

Rosa Bonheur (d. 1899)

1860–80 · Painting, oil on fabric

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Entrance to a Dutch Port by Willem van de Velde II, The Metropolitan Museum of Art

Entrance to a Dutch Port

Willem van de Velde II (d. 1707)

ca. 1665 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Nativity by Gerard David, The Cleveland Museum of Art

The Nativity

Gerard David (d. 1523)

c. 1485–90 · Painting, oil on wood panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Entrance to a Village by Meyndert Hobbema, The Metropolitan Museum of Art

Entrance to a Village

Meyndert Hobbema (d. 1709)

ca. 1665 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Monkey by an unrecorded maker, The Cleveland Museum of Art

Monkey

Unrecorded maker

possibly 1700s · Sculpture, wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Entrance to a Forest by a Small Wooden Bridge by Anthonie Waterloo, The Metropolitan Museum of Art

The Entrance to a Forest by a Small Wooden Bridge

Anthonie Waterloo (d. 1690)

17th century · Etching; fifth state of five

Cleared · Public Domain

live
The MetSimilar
Pair of Guardian Kings (Niō) by an unrecorded maker, The Cleveland Museum of Art

Pair of Guardian Kings (Niō)

Unrecorded maker

1200s · Sculpture, Chestnut and cypress wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Trees by an entrance to a park by Theodosius Forrest, The Metropolitan Museum of Art

Trees by an entrance to a park

Theodosius Forrest (d. 1784)

1760–75 · Graphite, brush and green and ochre wash or watercolor

Cleared · Public Domain

live
The MetSimilar
Mourning Virgin by an unrecorded maker, The Cleveland Museum of Art

Mourning Virgin

Unrecorded maker

c. 1240–1260 · Sculpture, painted wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Design for the Entrance to a Chapel by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for the Entrance to a Chapel

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush and watercolor, over leadpoint; scale at bottom in pen and gray ink

Cleared · Public Domain

live
The MetSimilar
Mourning Saint John by an unrecorded maker, The Cleveland Museum of Art

Mourning Saint John

Unrecorded maker

c. 1240–1260 · Sculpture, painted wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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