Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    463 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    381 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 519 matching records exist across the two collections.

Results for "The Exercise of Armes"12 records

Institutions answered newest-first by record, interleaved

A soldier blowing on a match, from the Musketeers series, plate 40, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

A soldier blowing on a match, from the Musketeers series, plate 40, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1629 · Engraving; third state of five (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
The Exercise of Armes by Jacob de Gheyn II, The Cleveland Museum of Art

The Exercise of Armes

Jacob de Gheyn II (d. 1629)

1607 · Bound Volume, leather bound paper, 117 engraved plates

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A soldier on guard freeing his right hand, from the Marksmen series, plate 37, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

A soldier on guard freeing his right hand, from the Marksmen series, plate 37, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1629 · Engraving; second state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
A soldier on guard shaping the match between his thumb and his forefinger, from the Marksmen series, plate 41, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

A soldier on guard shaping the match between his thumb and his forefinger, from the Marksmen series, plate 41, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1629 · Engraving; second state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
A soldier pulling out the ramrod from its holder, from the Musketeers series, plate 25, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

A soldier pulling out the ramrod from its holder, from the Musketeers series, plate 25, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1629 · Engraving; second state of three (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
A soldier shaking the powder from the top of the pan, from the Musketeers series, plate 19, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

A soldier shaking the powder from the top of the pan, from the Musketeers series, plate 19, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1629 · Engraving; third state of four (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
A soldier sliding his right hand along the training-pike, from the Lansquenets series, plate 22, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

A soldier sliding his right hand along the training-pike, from the Lansquenets series, plate 22, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1629 · Engraving; second state of three (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
A soldier, seen from the rear, while turning to the right and holding his pike horizontally, from the Lansquenets series, plate 30, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

A soldier, seen from the rear, while turning to the right and holding his pike horizontally, from the Lansquenets series, plate 30, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1629 · Engraving; second state of three (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
The second movement for bringing the pike on to the shoulder and holding it horizontally, from the Lansquenet series, plate 9, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms) by Jacques de Gheyn II, The Metropolitan Museum of Art

The second movement for bringing the pike on to the shoulder and holding it horizontally, from the Lansquenet series, plate 9, in "Wapenhandelinghe van Roers Musquetten Ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1629 · Engraving; second state of three (New Hollstein)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A soldier closing the pan, from the Marksmen series, plate 17, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A soldier closing the pan, from the Musketeers series, plate 18, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; third state of four (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The soldier lifting the pike, from the Lansquenets series, plate 18, in "Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen" (The Exercise of Arms)

Jacques de Gheyn II (d. 1629)

1608 · Engraving; second state of three (New Hollstein)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.