
Terracotta vase in the form of a sleeping Black African youth
Unrecorded maker
ca. 3rd–2nd century BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
852 ms. The Metropolitan Museum of Art, Collection API (Open Access)
332 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 41 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta vase in the form of a sleeping Black African youth
Unrecorded maker
ca. 3rd–2nd century BCE · Terracotta
Cleared · Public Domain
live
Walking leopard
Unrecorded maker
18th century · Sardonyx, mounted in gold as a pin, subsequently gouged
Cleared · Public Domain
live
The First Night of My Wedding, or Little Boney No Match For an Arch Dutchess
Thomas Rowlandson (d. 1827)
April 25, 1810 · Hand-colored etching
Cleared · Public Domain
live
The Exhausted Ragpicker
Jean-François Raffaëlli (d. 1924)
1880 · Etching, drypoint, aquatint and spit bite
Cleared · Public Domain
live
Recumbent lion
Unrecorded maker
18th–19th century · Sardonyx, mounted in gold as a pendant
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Best Run of the Season
Sir Edwin Henry Landseer (d. 1873)
1853 · Mixed method engraving on chine collé; proof before letters
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
There's Life in the Old Dog Yet
Sir Edwin Henry Landseer (d. 1873)
January 20, 1862 · Mixed method engraving on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ragpicker
Jean-François Raffaëlli (d. 1924)
1884 · Etching and drypoint with surface tone selectively wiped
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
End of the Trail
James Earle Fraser (d. 1953)
1918, cast 1918 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New York Album: Ragpicker on the Lower East Side]
Berenice Abbott (d. 1991)
1929 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New York Album: Street View, Ragpicker on the Lower East Side]
Berenice Abbott (d. 1991)
1929 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ensemble
John Galliano
spring/summer 1985 · (a) wool, cotton, horn, (b) cotton, mother-of-pearl, (c) cotton, mother-of-pearl, (d) cotton, mother-of-pearl
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.