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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "The Exit"9 records

Institutions answered newest-first by record, interleaved

The Exit by Félix Vallotton, The Cleveland Museum of Art

The Exit

Félix Vallotton (d. 1925)

1894 · Drawing, India ink and graphite on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rêtif de la Bretonne: The Little Godparents by Jean-Michel the Younger Moreau, The Cleveland Museum of Art

Rêtif de la Bretonne: The Little Godparents

Jean-Michel the Younger Moreau (d. 1814)

1777 · Print, etching and engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Christ Carrying the Cross (Sext, Hours of the Cross) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Christ Carrying the Cross (Sext, Hours of the Cross)

Unrecorded maker

c. 1410–1420 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Agra. Diwan-i-Chas by Photoglob Co., The Cleveland Museum of Art

Agra. Diwan-i-Chas

Photoglob Co. (d. 1910)

1890 · Photograph, Photochrom

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Passion: Christ Bearing the Cross by Martin Schongauer, The Cleveland Museum of Art

The Passion: Christ Bearing the Cross

Martin Schongauer (d. 1491)

c. 1480 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Turtle Baby by Edith Barretto Stevens Parsons, The Cleveland Museum of Art

Turtle Baby

Edith Barretto Stevens Parsons (d. 1956)

c. 1910–16 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Baoyang Lake by Song Xu, The Cleveland Museum of Art

Baoyang Lake

Song Xu (d. 1606)

c. 1588 · Painting, Album leaf; ink and color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Herd Exits by Charles-Émile Jacque, The Cleveland Museum of Art

The Herd Exits

Charles-Émile Jacque (d. 1894)

1876 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Hardwar, India by Edward Lear, The Cleveland Museum of Art

Hardwar, India

Edward Lear (d. 1888)

1875 · Drawing, Watecolor over pencil, heightened with white

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.