
Fairy and Crane
Unrecorded maker
18th century · Silk embroidery with with pearls and coral beads on silk satin
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
397 ms. The Metropolitan Museum of Art, Collection API (Open Access)
347 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fairy and Crane
Unrecorded maker
18th century · Silk embroidery with with pearls and coral beads on silk satin
Cleared · Public Domain
live
The Fairy Tree at Colinton
Hill and Adamson (d. 1848)
1846 · Salted paper print from paper negative
Cleared · Public Domain
live
A Midsummer Night's Dream (Shakespeare, Act 4, Scene 1)
Sir Edwin Henry Landseer (d. 1873)
November , 1857 · Mixed method engraving with mezzotint on chine collé; second state of three
Cleared · Public Domain
live
A Fully Cut Fairy Tale
Hans Christian Andersen (d. 1875)
ca. 1864 · Paper cutout
Cleared · Public Domain
live
Songs of Shakespeare
Harriette Charlotte Hoskyns Abrahall (d. 1915)
1865 · Illustrations: color lithographs (chromolithographs) with gold
Cleared · Public Domain
live
The Enchanted Tree
Richard Doyle (d. 1883)
1868 · Watercolor, gouache, gummed watercolor, applied in layered, opaque and transparent washes with the underlying paper revealed in minute areas throughout the composition
Cleared · Public Domain
live
Babes in the Wood
Sir Hubert von Herkomer (d. 1914)
1880 · Etching and drypoint; proof
Cleared · Public Domain
live
Hummingbird and Passionflowers
Martin Johnson Heade (d. 1904)
ca. 1875–85 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Spring
John William North (d. 1924)
1888–90 · Watercolor with touches of gouache (bodycolor) over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
How Summer Came to Canada (for "Canadian Wonder Tales")
George Sheringham (d. 1937)
ca. 1918 · Watercolor and gouache (bodycolor) on colored paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"The Fall of the Spider Man": Canadian Fairy Tales
Marcia Lane Jarret Foster (d. 1968)
ca. 1922 · Pen and black ink, brush and wash, touches of white gouache (bodycolor)
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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