
The Fall and Redemption of Man
Unrecorded maker
ca. 1480–90 · Wool warp, wool, silk, silver and gilt wefts
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
135 ms. The Metropolitan Museum of Art, Collection API (Open Access)
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 119 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Fall and Redemption of Man
Unrecorded maker
ca. 1480–90 · Wool warp, wool, silk, silver and gilt wefts
Cleared · Public Domain
live
Adam and Eve
Hans Baldung (called Hans Baldung Grien) (d. 1545)
1511 · Woodcut; line block
Cleared · Public Domain
live
The Fall of Man, from "The Fall and Salvation of Mankind Through the Life and Passion of Christ"
Albrecht Altdorfer (d. 1538)
ca. 1513 · Woodcut
Cleared · Public Domain
live
Peace and Mercy Win the Promise of Redemption for Man (Episode from The Story of the Redemption of Man)
Unrecorded maker
1500–1520 · Wool warp, wool and silk wefts
Cleared · Public Domain
live
Fall of Man | Crucifixion
Hans Reinhart the Elder (d. 1581)
1536 · Silver
Cleared · Public Domain
live
Fall of Man | Crucifixion
Hans Reinhart the Elder (d. 1581)
1530–1580 · Silver, old fire-gilding
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Expulsion, from "The Creation of the World and Fall of Man"
Crispijn van den Broeck (d. 1524)
1575 · Engraving; second state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Temptation, from "The Creation of the World and Fall of Man"
Crispijn van den Broeck (d. 1524)
1575 · Engraving; third state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fall of Man
George Greatbach (d. 1884)
1831–54 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"The Fall of the Spider Man": Canadian Fairy Tales
Marcia Lane Jarret Foster (d. 1968)
ca. 1922 · Pen and black ink, brush and wash, touches of white gouache (bodycolor)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fall and The Redemption
John Angel (d. 1960)
1956 · Bronze
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fall and The Redemption
John Angel (d. 1960)
1956 · Bronze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.