Figure of a Standing Man with a Long Kilt
Unrecorded maker
ca. 1981–1885 BC · Wood, paint
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
464 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
285 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20 matching records exist across the two collections.
Results for "The Fall and Redemption of Man: Burial o"12 records
Institutions answered newest-first by record, interleaved
The Fall and Redemption of Man
Unrecorded maker
ca. 1480–90 · Wool warp, wool, silk, silver and gilt wefts
Cleared · Public Domain
liveThe MetSimilar
The Crucifixion
Jan Provoost (d. 1529)
ca. 1495 · Oil on wood
Cleared · Public Domain
liveThe MetSimilar
Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)
Unrecorded maker
1500–1520 · Wool warp; wool and silk wefts
Cleared · Public Domain
liveThe MetSimilar
Christ Saying Farewell to His Mother (one of seven)
Jean II Pénicaud (d. 1554)
mid-16th century · Painted enamel on copper, partly gilt
Cleared · Public Domain
liveThe MetSimilar
The Agony in the Garden (one of seven)
Jean II Pénicaud (d. 1554)
mid-16th century · Painted enamel on copper, partly gilt
Cleared · Public Domain
liveThe MetSimilar
The Ascension of Christ (one of seven)
Jean II Pénicaud (d. 1554)
mid-16th century · Painted enamel on copper, partly gilt
Cleared · Public Domain
liveThe MetSimilar
The Betrayal (one of seven)
Jean II Pénicaud (d. 1554)
mid-16th century · Painted enamel on copper, partly gilt
Cleared · Public Domain
liveThe MetSimilar
The Crucifixion (one of seven)
Jean II Pénicaud (d. 1554)
mid-16th century · Painted enamel on copper, partly gilt
Cleared · Public Domain
liveThe MetSimilar
The Last Supper (one of seven)
Jean II Pénicaud (d. 1554)
mid-16th century · Painted enamel on copper, partly gilt
Cleared · Public Domain
liveThe MetSimilar
The Resurrection (one of seven)
Jean II Pénicaud (d. 1554)
mid-16th century · Painted enamel on copper, partly gilt
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Trotter's Burial: "The Dearest Spot on Earth to Me."
Currier & Ives (d. 1907)
1878 · Hand-colored lithograph, with touches of gum arabic
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.