
The Fall of Phaeton, from Ovid's "Metamorphoses"
Anonymous, Netherlandish, 17th century (d. 1700)
ca. 1588 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
312 ms. The Metropolitan Museum of Art, Collection API (Open Access)
320 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11,348 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Fall of Phaeton, from Ovid's "Metamorphoses"
Anonymous, Netherlandish, 17th century (d. 1700)
ca. 1588 · Engraving
Cleared · Public Domain
live
The Fall of Phaeton
Hendrick Goltzius (d. 1617)
late 16th–early 17th century · Pen and brown ink, brown wash, heightened with white (slightly oxidized); brown ink framing lines; incised for transfer
Cleared · Public Domain
live
Fall of the Giants
Bartolomeo Coriolano (d. 1676)
1638 · Chiaroscuro woodcut from three blocks, printed on four sheets
Cleared · Public Domain
live
The Fall of the Giants
Salvator Rosa (d. 1673)
1663 · Etching with drypoint
Cleared · Public Domain
live
Figure Studies after Rubens's "The Fall of the Rebel Angels"
Eugène Delacroix (d. 1863)
ca. 1820–22 · Graphite
Cleared · Public Domain
live
FALL OF MONTMORENCI / NEAR QUEBEC
Enoch Wood & Sons (d. 1846)
ca. 1818–ca. 1846 · Earthenware, transfer-printed
Cleared · Public Domain
live
The Upper Fall
John Dillwyn Llewelyn (d. 1882)
1853–56 · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Fall from Grace
Thomas B. Worth (d. 1917)
1883 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fall of Pyongyang, from a series on the Sino-Japanese War
Migita Toshihide (d. 1925)
1894 · Set of six woodblock prints; ink and color on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fall of the Leaf
Sybil Andrews (d. 1992)
1934 · Color linocut on Japanese paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fall
Sudhir Patwardhan (d. 9999)
1998 · Acrylic on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fall: Artist Eats Pho
Daniel Heyman (d. 9999)
2011 · Intaglio, aquatint, drypoint, gouache monotype on 9 sheets of paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.