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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    305 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    292 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "The Fall of the Rebel Angels (Michael Ca"12 records

Institutions answered newest-first by record, interleaved

The Trinity Adored by All Saints by Spanish Painter, The Metropolitan Museum of Art

The Trinity Adored by All Saints

Spanish Painter

1405 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Saint Michael the Archangel by Andrea della Robbia, The Metropolitan Museum of Art

Saint Michael the Archangel

Andrea della Robbia (d. 1525)

ca. 1475 · Glazed terracotta

Cleared · Public Domain

live
The MetSimilar
The Holy Kinship by Master of the Drapery Studies, The Metropolitan Museum of Art

The Holy Kinship

Master of the Drapery Studies (d. 1500)

ca. 1480 · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Adoration of the Shepherds by Master K.I.P., The Metropolitan Museum of Art

Adoration of the Shepherds

Master K.I.P. (d. 1565)

mid-16th century · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
Allegory of the Death of a Religious Man by Frans Francken II, The Metropolitan Museum of Art

Allegory of the Death of a Religious Man

Frans Francken II (d. 1642)

early 17th century · Pen and brown ink, brush and brown and blue ink

Cleared · Public Domain

live
The MetSimilar
The flagellation of Christ by Giambologna, The Metropolitan Museum of Art

The flagellation of Christ

Giambologna (d. 1608)

mid-17th century · Bronze gilt

Cleared · Public Domain

live
The MetSimilar
Anointment of the dead Christ by Fra Domenico Portigiani, The Metropolitan Museum of Art

Anointment of the dead Christ

Fra Domenico Portigiani (d. 1650)

17th century? · Bronze

Cleared · Public Domain

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The MetSimilar
Figure Studies after Rubens's "The Fall of the Rebel Angels" by Eugène Delacroix, The Metropolitan Museum of Art

Figure Studies after Rubens's "The Fall of the Rebel Angels"

Eugène Delacroix (d. 1863)

ca. 1820–22 · Pen and iron gall ink, graphite

Cleared · Public Domain

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The MetSimilar
Figure Studies after Rubens's "The Fall of the Rebel Angels" by Eugène Delacroix, The Metropolitan Museum of Art

Figure Studies after Rubens's "The Fall of the Rebel Angels"

Eugène Delacroix (d. 1863)

ca. 1820–22 · Graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fall of the Rebel Angels

Jean Mignon (d. 1555)

1535–55 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fall of the Rebel Angels, from "Sinners of the Old Testament"

Maerten de Vos (d. 1603)

1583 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fall of the Rebel Angels (Michael Casting Satan out of Heaven)

Peter Paul Rubens (d. 1640)

1750 · Engraving

In copyright

live
The MetSimilar

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