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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1150 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    378 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4,290 matching records exist across the two collections.

Results for "The Family, viewed from behind"12 records

Institutions answered newest-first by record, interleaved

Odalisque viewed from behind, after Ingres by Anonymous Mexican Artist, The Metropolitan Museum of Art

Odalisque viewed from behind, after Ingres

Anonymous Mexican Artist

19th century · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Moon Viewing, from The Tale of Heike by Yosa Buson, The Cleveland Museum of Art

Moon Viewing, from The Tale of Heike

Yosa Buson (d. 1783)

1700s · Painting, hanging scroll; ink and light color on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Man seated viewed from behind (Narcissus) by Antonio da Trento, The Metropolitan Museum of Art

Man seated viewed from behind (Narcissus)

Antonio da Trento (d. 1550)

ca. 1527–30 · Chiaroscuro woodcut printed from two blocks in brown

Cleared · Public Domain

live
The MetSimilar
Standing naked archer, viewed from behind, from the series 'Capricci e habiti militari' by Filippo Liagno, The Metropolitan Museum of Art

Standing naked archer, viewed from behind, from the series 'Capricci e habiti militari'

Filippo Liagno (d. 1629)

1610–1630 (re-published 1635?) · Etching

Cleared · Public Domain

live
The MetSimilar
Study of a Seated Peasant Woman, Viewed from Behind and to the Left by Herman Saftleven II, The Metropolitan Museum of Art

Study of a Seated Peasant Woman, Viewed from Behind and to the Left

Herman Saftleven II (d. 1685)

1629–85 · Black chalk, with brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Dog (A Foxhound Viewed from Behind) by George Stubbs, The Metropolitan Museum of Art

Dog (A Foxhound Viewed from Behind)

George Stubbs (d. 1806)

May 1, 1788 · Roulette work with etching; first and only state

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saint Christopher viewed from behind carrying child on left shoulder

Marcantonio Raimondi (d. 1534)

ca. 1500–50 · Engraving; only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Family, viewed from behind

Francisco Díaz de León (d. 1975)

1931 · Etching, aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two men supporting a wounded man, viewed from behind

Alfredo Zalce (d. 2003)

1946 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two men supporting a wounded man, viewed from behind

Alfredo Zalce (d. 2003)

1946 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two men supporting a wounded man, viewed from behind

Alfredo Zalce (d. 2003)

1946 · Engraving; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The mythical Argentine gaucho standing holding a guitar, viewed from behind

Juan Carlos Huergo (d. 1962)

1940s · LIthograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.