
Odalisque viewed from behind, after Ingres
Anonymous Mexican Artist
19th century · Wood engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1150 ms. The Metropolitan Museum of Art, Collection API (Open Access)
378 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,290 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Odalisque viewed from behind, after Ingres
Anonymous Mexican Artist
19th century · Wood engraving
Cleared · Public Domain
live
Moon Viewing, from The Tale of Heike
Yosa Buson (d. 1783)
1700s · Painting, hanging scroll; ink and light color on paper
Cleared · CC0
live
Man seated viewed from behind (Narcissus)
Antonio da Trento (d. 1550)
ca. 1527–30 · Chiaroscuro woodcut printed from two blocks in brown
Cleared · Public Domain
live
Standing naked archer, viewed from behind, from the series 'Capricci e habiti militari'
Filippo Liagno (d. 1629)
1610–1630 (re-published 1635?) · Etching
Cleared · Public Domain
live
Study of a Seated Peasant Woman, Viewed from Behind and to the Left
Herman Saftleven II (d. 1685)
1629–85 · Black chalk, with brush and brown wash
Cleared · Public Domain
live
Dog (A Foxhound Viewed from Behind)
George Stubbs (d. 1806)
May 1, 1788 · Roulette work with etching; first and only state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint Christopher viewed from behind carrying child on left shoulder
Marcantonio Raimondi (d. 1534)
ca. 1500–50 · Engraving; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Family, viewed from behind
Francisco Díaz de León (d. 1975)
1931 · Etching, aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two men supporting a wounded man, viewed from behind
Alfredo Zalce (d. 2003)
1946 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two men supporting a wounded man, viewed from behind
Alfredo Zalce (d. 2003)
1946 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two men supporting a wounded man, viewed from behind
Alfredo Zalce (d. 2003)
1946 · Engraving; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The mythical Argentine gaucho standing holding a guitar, viewed from behind
Juan Carlos Huergo (d. 1962)
1940s · LIthograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.