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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    401 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    288 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,451 matching records exist across the two collections.

Results for "The Family (reverse copy)"12 records

Institutions answered newest-first by record, interleaved

The Nativity (reverse copy) by Albrecht Dürer, The Metropolitan Museum of Art

The Nativity (reverse copy)

Albrecht Dürer (d. 1528)

n.d. · Engraving

Cleared · Public Domain

live
The MetSimilar
Portrait of Sandford Peacocke by William Wood, The Cleveland Museum of Art

Portrait of Sandford Peacocke

William Wood (d. 1809)

1801 · Portrait Miniature, watercolor on ivory in a gold frame with glazed reverse

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Crucifixion (Round) (reverse copy) by Hieronymus (Jerome) Wierix, The Metropolitan Museum of Art

The Crucifixion (Round) (reverse copy)

Hieronymus (Jerome) Wierix (d. 1619)

n.d. · Engraving

Cleared · Public Domain

live
The MetSimilar
The Dentist (reverse copy) by Jan Muller, The Metropolitan Museum of Art

The Dentist (reverse copy)

Jan Muller (d. 1628)

n.d.

Cleared · Public Domain

live
The MetSimilar
Holy Family with Saint John the Baptist, copy in reverse by Simone Cantarini, The Metropolitan Museum of Art

Holy Family with Saint John the Baptist, copy in reverse

Simone Cantarini (d. 1648)

ca. 1640–42 or after · Etching

Cleared · Public Domain

live
The MetSimilar
Two young satyrs and a boy (copy in reverse) by Wenceslaus Hollar, The Metropolitan Museum of Art

Two young satyrs and a boy (copy in reverse)

Wenceslaus Hollar (d. 1677)

1647 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Family (reverse copy) by Adriaen van Ostade, The Metropolitan Museum of Art

The Family (reverse copy)

Adriaen van Ostade (d. 1685)

1610–85 · Etching

Cleared · Public Domain

live
The MetSimilar
The Poet (copy in reverse) by Jusepe de Ribera (called Lo Spagnoletto), The Metropolitan Museum of Art

The Poet (copy in reverse)

Jusepe de Ribera (called Lo Spagnoletto) (d. 1652)

ca. 1625–80 · Etching

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Magi (copy in reverse) by Carlo Maratti, The Metropolitan Museum of Art

The Adoration of the Magi (copy in reverse)

Carlo Maratti (d. 1713)

17th century · Etching; reverse copy (Bellini)

Cleared · Public Domain

live
The MetSimilar
The Second Oriental Head (reverse copy) by John Smith, The Metropolitan Museum of Art

The Second Oriental Head (reverse copy)

John Smith (d. 1764)

18th century · Etching

Cleared · Public Domain

live
The MetSimilar
Visitation (copy in reverse) by Joseph Wagner, The Metropolitan Museum of Art

Visitation (copy in reverse)

Joseph Wagner (d. 1780)

1780 · Engraving; reverse copy

Cleared · Public Domain

live
The MetSimilar
The Windmill (reverse copy) by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Windmill (reverse copy)

Rembrandt (Rembrandt van Rijn) (d. 1669)

n.d. · Etching; copy a

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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