Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    423 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    304 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,158 matching records exist across the two collections.

Results for "The Farmer's Noon"12 records

Institutions answered newest-first by record, interleaved

Farmer's wife by Ralph Wood the Elder, The Metropolitan Museum of Art

Farmer's wife

Ralph Wood the Elder (d. 1772)

ca. 1820 · Lead-glazed earthenware

Cleared · Public Domain

live
The MetSimilar
The Farmer's Home -- Winter by George Henry Durrie, The Metropolitan Museum of Art

The Farmer's Home -- Winter

George Henry Durrie (d. 1863)

1863 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Noon

Richard Houston (d. 1775)

1758 · Mezzotint with some etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Farmer's Stable

William Ward (d. 1826)

January 1, 1792 · Mezzotint, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Farmer's Stable

William Ward (d. 1826)

January 1, 1792 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Farmer's Noon

Samuel William Reynolds, the elder (d. 1835)

1790–1800 · Mezzotint, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Transactions of the Apollo Association for the Promotion of the Fine Arts, in the United States, for the Year 1842

Apollo Association for the Promotion of the Fine Arts (d. 1851)

1842 · Illustration: etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Farmer's Home --Summer

Frances Flora Bond Palmer (d. 1876)

1864 · Two-stone lithograph, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Farmer's Home--Harvest

Frances Flora Bond Palmer (d. 1876)

1864 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Farmer's Wife

Pablo Picasso (d. 1973)

1908 · Charcoal on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Farmer's Daughter

Thomas Hart Benton (d. 1975)

1944 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Noon

Georges L. Schreiber (d. 1977)

ca. 1942 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.