
Burgonet for the Farnese Guard
Unrecorded maker
ca. 1545–47 · Steel, gold, copper alloy
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
394 ms. The Metropolitan Museum of Art, Collection API (Open Access)
294 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,735 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Burgonet for the Farnese Guard
Unrecorded maker
ca. 1545–47 · Steel, gold, copper alloy
Cleared · Public Domain
live![The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/DP-42913-001.jpg)
The Farnese Table
Jacopo [Giacomo] Barozzi da Vignola (d. 1573)
ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers
Cleared · Public Domain
live
The Farnese Hercules
Giorgio Ghisi (d. 1582)
late 1570s · Engraving
Cleared · Public Domain
live
Farnese Hercules
Hendrick Goltzius (d. 1617)
ca. 1592, dated 1617 · Engraving
Cleared · Public Domain
live
The Farnese Hercules
Peter van Lint (d. 1690)
1639 · Black chalk heightened with white chalk
Cleared · Public Domain
live
Farnese Hercules
Pietro da Barga (d. 1588)
modeled ca. 1576; cast 17th century · Bronze
Cleared · Public Domain
live
Table
Unrecorded maker
ca. 1775–80 · Wood, carved, painted, and partly gilded; black granite top not original to table
Cleared · Public Domain
live
The Farnese Hercules
Giovanni Pichler (d. 1791)
ca. 1770–90 · Onyx and gold
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Palazzo Farnese
Pietro Ferrerio (d. 1654)
1655 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Palazzo Farnese (Veduta del Palazzo Farnese)
Giovanni Battista Piranesi (d. 1778)
ca. 1773 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain in the Piazza Farnese
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountain in the Piazza Farnese
Rudolph Ruzicka (d. 1978)
1914 · Wood engraving, proof
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.