
View of South Street, from Maiden Lane, New York City
William James Bennett (d. 1844)
ca. 1827 · Watercolor on off-white wove paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
215 ms. The Metropolitan Museum of Art, Collection API (Open Access)
306 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of South Street, from Maiden Lane, New York City
William James Bennett (d. 1844)
ca. 1827 · Watercolor on off-white wove paper
Cleared · Public Domain
live
Cup
Edward C. Moore (d. 1891)
1853 · Silver and silver-gilt
Cleared · Public Domain
live
The Father of the Forest, 112 feet circumference, Calaveras Grove
Carleton E. Watkins (d. 1916)
1865–66, printed ca. 1876 · Albumen silver print from glass negative
Cleared · Public Domain
live
Near the Bodmer Oak, Fontainebleau
Eugène Cuvelier (d. 1900)
1860s · Albumen silver print from glass negative
Cleared · Public Domain
live
The Father of the Forest - C. Grove
Carleton E. Watkins (d. 1916)
ca. 1878 · Albumen silver print from glass negative
Cleared · Public Domain
live
The Father of the Forest - The Horse Back Side. Calaveras Grove
Carleton E. Watkins (d. 1916)
ca. 1878 · Albumen silver print from glass negative
Cleared · Public Domain
live
The Father of the Forest 450 ft C. Grove
Carleton E. Watkins (d. 1916)
ca. 1878 · Albumen silver print from glass negative
Cleared · Public Domain
live
The Father of the Forest 450 Ft Long, C. Grove
Carleton E. Watkins (d. 1916)
ca. 1878 · Albumen silver print from glass negative
Cleared · Public Domain
live
The Mother of the Forest From the Father of the Forest - Calavaras Grove
Carleton E. Watkins (d. 1916)
ca. 1878 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alan Harriman
George de Forest Brush (d. 1941)
1905 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Kworo headdress
Nafara-Senufo artist
19th–mid-20th century · Wood, cloth, cane, plant fiber, mud
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.