Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    215 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    306 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 20 matching records exist across the two collections.

Results for "The Father of the Forest 450 ft C. Grove"12 records

Institutions answered newest-first by record, interleaved

View of South Street, from Maiden Lane, New York City by William James Bennett, The Metropolitan Museum of Art

View of South Street, from Maiden Lane, New York City

William James Bennett (d. 1844)

ca. 1827 · Watercolor on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Cup by Edward C. Moore, The Metropolitan Museum of Art

Cup

Edward C. Moore (d. 1891)

1853 · Silver and silver-gilt

Cleared · Public Domain

live
The MetSimilar
The Father of the Forest, 112 feet circumference, Calaveras Grove by Carleton E. Watkins, The Metropolitan Museum of Art

The Father of the Forest, 112 feet circumference, Calaveras Grove

Carleton E. Watkins (d. 1916)

1865–66, printed ca. 1876 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Near the Bodmer Oak, Fontainebleau by Eugène Cuvelier, The Metropolitan Museum of Art

Near the Bodmer Oak, Fontainebleau

Eugène Cuvelier (d. 1900)

1860s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Father of the Forest - C. Grove by Carleton E. Watkins, The Metropolitan Museum of Art

The Father of the Forest - C. Grove

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Father of the Forest - The Horse Back Side. Calaveras Grove by Carleton E. Watkins, The Metropolitan Museum of Art

The Father of the Forest - The Horse Back Side. Calaveras Grove

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Father of the Forest 450 ft C. Grove by Carleton E. Watkins, The Metropolitan Museum of Art

The Father of the Forest 450 ft C. Grove

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Father of the Forest 450 Ft Long, C. Grove by Carleton E. Watkins, The Metropolitan Museum of Art

The Father of the Forest 450 Ft Long, C. Grove

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Mother of the Forest From the Father of the Forest - Calavaras Grove by Carleton E. Watkins, The Metropolitan Museum of Art

The Mother of the Forest From the Father of the Forest - Calavaras Grove

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Alan Harriman

George de Forest Brush (d. 1941)

1905 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kworo headdress

Nafara-Senufo artist

19th–mid-20th century · Wood, cloth, cane, plant fiber, mud

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.