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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    355 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    286 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 356 matching records exist across the two collections.

Results for "The Feast of Herod and the Beheading of"12 records

Institutions answered newest-first by record, interleaved

The Feast of Herod and the Beheading of the Baptist by Giovanni Baronzio, The Metropolitan Museum of Art

The Feast of Herod and the Beheading of the Baptist

Giovanni Baronzio (d. 1349)

ca. 1330–35 · Tempera on wood, gold ground, and silver

Cleared · Public Domain

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The MetSimilar
The Beheading of Saint John the Baptist by Spanish (Catalan) Painter, The Metropolitan Museum of Art

The Beheading of Saint John the Baptist

Spanish (Catalan) Painter

1469 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
The Martyrdom of Saint Lawrence; (reverse) Giving Drink to the Thirsty by Master of the Acts of Mercy, The Metropolitan Museum of Art

The Martyrdom of Saint Lawrence; (reverse) Giving Drink to the Thirsty

Master of the Acts of Mercy (d. 1470)

1470 · Oil on fir, (obverse) gold ground

Cleared · Public Domain

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The MetSimilar
The Beheading of Saint John the Baptist by Albrecht Altdorfer, The Metropolitan Museum of Art

The Beheading of Saint John the Baptist

Albrecht Altdorfer (d. 1538)

1512 · Woodcut

Cleared · Public Domain

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The MetSimilar
The Wedding Feast of Cupid and Psyche by Pierre Reymond, The Metropolitan Museum of Art

The Wedding Feast of Cupid and Psyche

Pierre Reymond (d. 1590)

1558 · Painted enamel on copper, partly gilt

Cleared · Public Domain

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The MetSimilar
The Wedding Feast of Cupid and Psyche by Pierre Reymond, The Metropolitan Museum of Art

The Wedding Feast of Cupid and Psyche

Pierre Reymond (d. 1590)

ca. 1570 · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
The Beheading of John the Baptist by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Beheading of John the Baptist

Rembrandt (Rembrandt van Rijn) (d. 1669)

1644 · Etching and drypoint

Cleared · Public Domain

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The MetSimilar
The Feast of Herod by an unrecorded maker, The Metropolitan Museum of Art

The Feast of Herod

Unrecorded maker

third quarter 17th century · Silk and metal thread on silk

Cleared · Public Domain

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The MetSimilar
The Wedding Feast of Peleus and Thetis by Frans van den Wyngaerde, The Metropolitan Museum of Art

The Wedding Feast of Peleus and Thetis

Frans van den Wyngaerde (d. 1679)

1636–79 · Etching; third state of three (Hollstein)

Cleared · Public Domain

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The MetSimilar
The Beheading of St. Paul by Michael Lucas Leopold Willmann, The Metropolitan Museum of Art

The Beheading of St. Paul

Michael Lucas Leopold Willmann (d. 1706)

n.d. · Etching and engraving; second state of two

Cleared · Public Domain

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The MetSimilar
The Wedding Feast of Bacchus and Ariadne by Guy Louis Vernansal the Elder, The Metropolitan Museum of Art

The Wedding Feast of Bacchus and Ariadne

Guy Louis Vernansal the Elder (d. 1729)

ca. 1709 · Pen and brown ink, brush and gray wash, heightened with white, over red chalk, on beige paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Beheading of Two Unidentified Saints (Male and Female)

Giovanni Battista Tiepolo (d. 1770)

1730s · Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk and traces of red chalk; framing lines in black chalk, and pen and brown ink

In copyright

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The MetSimilar

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