
Closed Yoke
Unrecorded maker
4th–7th century · Volcanic rhyolitic tuff
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
180 ms. The Metropolitan Museum of Art, Collection API (Open Access)
341 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 28 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Closed Yoke
Unrecorded maker
4th–7th century · Volcanic rhyolitic tuff
Cleared · Public Domain
live
Oil Lamp in the Form of a Sphinx
Andrea Briosco, called Riccio (d. 1532)
mid-16th century · Bronze
Cleared · Public Domain
live
Head of a Woman Looking to Upper Left
Annibale Carracci (d. 1609)
1590–1600 · Charcoal, highlighted with white chalk, on blue paper faded light- brown
Cleared · Public Domain
live
Andromeda and the Sea Monster
Domenico Guidi (d. 1701)
1694 · Marble
Cleared · Public Domain
live
Louis XV
Tournai
ca. 1756 · Soft-paste porcelain
Cleared · Public Domain
live
Honoré de Balzac
Auguste Rodin (d. 1917)
1891 · Terracotta
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Festival (Those whom Death surprises)
Marcel Roux (d. 1922)
1905 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Genius (Those whom Death renders immortal)
Marcel Roux (d. 1922)
1905 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Miser (Those whom Death robs)
Marcel Roux (d. 1922)
1905 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Miserable Worker (Those whom Death crushes slowly)
Marcel Roux (d. 1922)
1905 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cinq Personnages
Stanley William Hayter (d. 1988)
1946 · Engraving and soft-ground etching; simultaneous color printing with stencils
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cooling Tower, Caerphilly, South Wales, Great Britain
Bernd and Hilla Becher (d. 2007)
1966 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.