
The Road to Calvary
Master of the Lorsch Calvary
ca. 1440 · Alabaster
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
992 ms. The Metropolitan Museum of Art, Collection API (Open Access)
258 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,042 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Road to Calvary
Master of the Lorsch Calvary
ca. 1440 · Alabaster
Cleared · Public Domain
live
The Long Road – Argilla Road, Ipswich
Arthur Wesley Dow (d. 1922)
ca. 1898–1912 · Color woodcut
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Star of the Road
Nathaniel Currier (d. 1888)
1849 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Road – Summer
Robert A. Clarke
1853 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Road – Winter
Otto Knirsch (d. 1867)
1853 · Hand-colored lithograph, with touches of white gouache (to heighten the effect of white patches of snow)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Road to the Village
Currier & Ives (d. 1907)
1857–71 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Boss of the Road
Thomas B. Worth (d. 1917)
1877 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fiend of the Road
Nicholas Winfield Scott Leighton (d. 1898)
1881 · Lithograph printed in oil colors
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Boss of the Road
Thomas B. Worth (d. 1917)
1884 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Road Workers
Jean-François Millet (d. 1875)
n.d. · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Corner of the Road
Fiske Boyd (d. 1975)
ca. 1923–30 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Road
Harry Shokler (d. 1978)
1935–43 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.