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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    992 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    258 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,042 matching records exist across the two collections.

Results for "The Fiend of the Road"12 records

Institutions answered newest-first by record, interleaved

The Road to Calvary by Master of the Lorsch Calvary, The Metropolitan Museum of Art

The Road to Calvary

Master of the Lorsch Calvary

ca. 1440 · Alabaster

Cleared · Public Domain

live
The MetSimilar
The Long Road – Argilla Road, Ipswich by Arthur Wesley Dow, The Metropolitan Museum of Art

The Long Road – Argilla Road, Ipswich

Arthur Wesley Dow (d. 1922)

ca. 1898–1912 · Color woodcut

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Star of the Road

Nathaniel Currier (d. 1888)

1849 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Road – Summer

Robert A. Clarke

1853 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Road – Winter

Otto Knirsch (d. 1867)

1853 · Hand-colored lithograph, with touches of white gouache (to heighten the effect of white patches of snow)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Road to the Village

Currier & Ives (d. 1907)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Boss of the Road

Thomas B. Worth (d. 1917)

1877 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fiend of the Road

Nicholas Winfield Scott Leighton (d. 1898)

1881 · Lithograph printed in oil colors

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Boss of the Road

Thomas B. Worth (d. 1917)

1884 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Road Workers

Jean-François Millet (d. 1875)

n.d. · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Corner of the Road

Fiske Boyd (d. 1975)

ca. 1923–30 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Road

Harry Shokler (d. 1978)

1935–43 · Etching

In copyright

live
The MetSimilar

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