
Altar to the Sun Warrior
Mexico Nahua artist(s)
1450-1521 CE · Stone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
449 ms. The Metropolitan Museum of Art, Collection API (Open Access)
302 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Altar to the Sun Warrior
Mexico Nahua artist(s)
1450-1521 CE · Stone
Cleared · Public Domain
live
The Fifth Day (Dies V): The Creation of the Kingdom of Animals, from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s second state of two
Cleared · Public Domain
live
The First Day (Dies I): The Separation of Darkness and Light, plate 1 from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s second state of two
Cleared · Public Domain
live
The Fourth Day (Dies IV): The Creation of Day and Night, from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s second state of two
Cleared · Public Domain
live
The Second Day (Dies II): The Division of the Waters, plate 2 from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s second state of two; framing lines in pen and dark gray ink at sheet edges
Cleared · Public Domain
live
The Sixth Day (Dies VI): The Creation of Adam and Eve, from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s third state of three
Cleared · Public Domain
live
The Third Day ( Dies III): The Separation of Land and Sea, from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; Holl's second state of two
Cleared · Public Domain
live
Ema (Votive Painting) of a Chinese Lion Led by King Uten (Utennō)
Unrecorded maker
1627 · Ink and color on wood
Cleared · Public Domain
live
Ema (Votive Painting) of Chinese Lion and Peony Tree
Unrecorded maker
1649 · Ink and color on wood
Cleared · Public Domain
live
Sugar Loaf Islands, Farallons
Carleton E. Watkins (d. 1916)
1868–69 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sixth Day (Dies VI), from "The Creation of the World"
Jan Muller (d. 1628)
1589 · Engraving; New Holl.'s third state of three; framing lines in pen and brown ink at the sheet edges
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Breaking up of the "Agamemnon," No. II
Sir Francis Seymour Haden (d. 1910)
1880 · Etching; trial proof b (Harrington); fifth state of nine (Schneiderman)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.