
The First Four Trombones, plate 7 from "The Apocalypse"
Hans Burgkmair (d. 1531)
1523–24 · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
748 ms. The Metropolitan Museum of Art, Collection API (Open Access)
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,357 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The First Four Trombones, plate 7 from "The Apocalypse"
Hans Burgkmair (d. 1531)
1523–24 · Woodcut
Cleared · Public Domain
live
Plate 7: Emperor Galba on Horseback, from "The First Twelve Roman Caesars"
Antonio Tempesta (d. 1630)
1596 · Etching; first state of two (Bartsch)
Cleared · Public Domain
live
Plate 7: Emperor Galba on Horseback, from "The First Twelve Roman Caesars"
Matthäus Merian the Elder (d. 1650)
1610–50 · Etching and engraving
Cleared · Public Domain
live
Festivitates Aurifabris (...) / Verscheide Snakeryen dienstich voor Goutsmits, Beelthouwers, Steenhouwers, en alle die de const beminnen (Plate 7)
Johannes Lutma the Elder (d. 1669)
1654–78 · Etching and engraving
Cleared · Public Domain
live
La Parure des Dames, Plate 7
Mondhare et Jean
ca. 1776 · Hand colored engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saturn, from The Seven Planets, plate 7
Herman Müller
ca. 1568 · Engraving; first state of four (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
July, from The Twelve Months, plate 7
Lucas van Doetecum (d. 1589)
ca. 1574 · Etching and engraving; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 7: Emperor Galba on Horseback, from "The FIrst Twelve Roman Caesars," after Tempesta
Matthäus Merian the Elder (d. 1650)
1601–50 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Kaléidoscope: Ornements Abstraits"; Plate 7, Four Abstract Design Motifs
Maurice-Pillard Verneuil (d. 1942)
1926 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Idées 1, Plate 7
Maurice-Jacques-Yvan Camus
ca. 1933 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Idées 2, Plate 7
Georges Darcy (d. 1999)
ca. 1933 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the stone for plate 7 of the Mayan book, the 'Popol-vuh'
Carlos Mérida (d. 1984)
ca. 1943 · Pen on tracing paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.