Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    165 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    361 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "The First Nakamura Tomijuro as an Oiran"12 records

Institutions answered newest-first by record, interleaved

The First Nakamura Tomijuro as an Oiran Standing in a Room by Katsukawa Shunshō　勝川春章, The Metropolitan Museum of Art

The First Nakamura Tomijuro as an Oiran Standing in a Room

Katsukawa Shunshō　勝川春章 (d. 1792)

1771 · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The First Nakamura Tomijuro as an Angry Woman Standing in a Room by Katsukawa Shunshō　勝川春章, The Metropolitan Museum of Art

The First Nakamura Tomijuro as an Angry Woman Standing in a Room

Katsukawa Shunshō　勝川春章 (d. 1792)

1772 or 1773 · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The First Nakamura Tomijuro as a Woman Dancer by Katsukawa Shunshō　勝川春章, The Metropolitan Museum of Art

The First Nakamura Tomijuro as a Woman Dancer

Katsukawa Shunshō　勝川春章 (d. 1792)

dated October or November 1778 · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The First Nakamura Tomijuro as a Woman Walking Toward the Left by Katsukawa Shunkō, The Metropolitan Museum of Art

The First Nakamura Tomijuro as a Woman Walking Toward the Left

Katsukawa Shunkō (d. 1812)

late 1777 or early in 1778 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The First Nakamura Nakazo as an Unarmed Man Standing Near the Engawa by Katsukawa Shunshō　勝川春章, The Metropolitan Museum of Art

The First Nakamura Nakazo as an Unarmed Man Standing Near the Engawa

Katsukawa Shunshō　勝川春章 (d. 1792)

ca. 1775 · One sheet of a triptych of woodblock prints (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The First Nakamura Tomijuro as an Outlaw by Katsukawa Shunshō　勝川春章, The Metropolitan Museum of Art

The First Nakamura Tomijuro as an Outlaw

Katsukawa Shunshō　勝川春章 (d. 1792)

ca. 1775 · One sheet of a diptych or triptych of woodblock prints (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The First Nakamura Nakazo as an Unarmed Man Standing in a Dramatic Pose by Katsukawa Shunshō　勝川春章, The Metropolitan Museum of Art

The First Nakamura Nakazo as an Unarmed Man Standing in a Dramatic Pose

Katsukawa Shunshō　勝川春章 (d. 1792)

ca. 1777 · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The First Nakamura Tomijuro as a Woman by Katsukawa Shunkō, The Metropolitan Museum of Art

The First Nakamura Tomijuro as a Woman

Katsukawa Shunkō (d. 1812)

probably 1777 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Actor Nakamura Riko as an Oiran Tying Her Obi by Katsukawa Shunshō　勝川春章, The Metropolitan Museum of Art

The Actor Nakamura Riko as an Oiran Tying Her Obi

Katsukawa Shunshō　勝川春章 (d. 1792)

ca. 1779 · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Nakamura Tomijuro as an Old Man with a Scanty Beard by Katsukawa Shunkō, The Metropolitan Museum of Art

Nakamura Tomijuro as an Old Man with a Scanty Beard

Katsukawa Shunkō (d. 1812)

ca. 1780 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Onoe Matsusuke I as an Oiran Stands at the Left, Talking to Nakamura Nakazo I as a Samurai by Torii Kiyonaga, The Metropolitan Museum of Art

Onoe Matsusuke I as an Oiran Stands at the Left, Talking to Nakamura Nakazo I as a Samurai

Torii Kiyonaga (d. 1815)

ca. 1788 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Water Jar (Mizusashi) with Stylized Waves

Nakamura Takuo (d. 9999)

2001 · Stoneware with gold and silver inlays; lacquered-wood lid

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.