
"Kai Khusrau Rides Bihzad for the First Time", Folio 212r from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi (d. 1020)
ca. 1525–30 · Opaque watercolor, ink, silver, and gold on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
449 ms. The Metropolitan Museum of Art, Collection API (Open Access)
301 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,084 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

"Kai Khusrau Rides Bihzad for the First Time", Folio 212r from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi (d. 1020)
ca. 1525–30 · Opaque watercolor, ink, silver, and gold on paper
Cleared · Public Domain
live
The Brown and White Party Asking Mercy from the Old White King, from Der Weisskunig
Hans Burgkmair (d. 1531)
printed 18th century · Woodcut
Cleared · Public Domain
live
The First Time of 'Asking', from "Illustrated London News"
William Luson Thomas (d. 1900)
May 8, 1869 · Wood engraving
Cleared · Public Domain
live
Napoleon Bonaparte, depicted about the time of his first campaign (1796)
Pierre Jean David d'Angers (d. 1856)
after model 1838 · Bronze, cast
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Triumph of Time, from The Triumphs of Petrarch, plate 5
Philips Galle (d. 1612)
ca. 1565 · Engraving, first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hamor and Shechem Asking Jacob for Dinah's Hand in Marriage, from "The Story of Dinah and Shechem"
Herman Müller
1569 · Engraving; first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hamor and Shechem Asking Jacob for Dinah's Hand in Marriage, from The Story of Dinah and Shechem, plate 2
Herman Müller
1569 · Engraving; first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Triumph of Time, from The Triumphs of Petrarch, plate 5
Philips Galle (d. 1612)
ca. 1565 · Engraving; first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man Asking Forgiveness and Forgiving his Debtors, from The Lord's Prayer, plate 5
Jan (Johannes) Wierix (d. 1615)
1571 · Engraving, first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man Asking Forgiveness and Forgiving His Debtors, from The Lord's Prayer, plate 5
Jan (Johannes) Wierix (d. 1615)
1571 · Engraving; first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ falls beneath the Cross for the first Time, from the Stations of the Cross (Via Crucis)
Giovanni Domenico Tiepolo (d. 1804)
1748 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Haying Time – The First Load
Frances Flora Bond Palmer (d. 1876)
1868 · Hand-colored lithograph with some gum arabic
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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