Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    222 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    518 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 661 matching records exist across the two collections.

Results for "The Fishmarket, Venice, No. 2"12 records

Institutions answered newest-first by record, interleaved

Young St. John the Baptist by Antonio Lombardo, The Metropolitan Museum of Art

Young St. John the Baptist

Antonio Lombardo (d. 1516)

early 16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Essempio di recammi, page 12 (verso) by Giovanni Antonio Tagliente, The Metropolitan Museum of Art

Essempio di recammi, page 12 (verso)

Giovanni Antonio Tagliente (d. 1528)

1530 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Bernardo Soranzo by Andrea Spinelli, The Metropolitan Museum of Art

Bernardo Soranzo

Andrea Spinelli (d. 1572)

1540 · Bronze

Cleared · Public Domain

live
The MetSimilar
The Riva, No. 2 by James McNeill Whistler, The Metropolitan Museum of Art

The Riva, No. 2

James McNeill Whistler (d. 1903)

1879–80 · Etching and drypoint, printed in dark brown ink on fine buff laid paper; only state (Glasgow)

Cleared · Public Domain

live
The MetSimilar
The Traghetto, No. 2 by James McNeill Whistler, The Metropolitan Museum of Art

The Traghetto, No. 2

James McNeill Whistler (d. 1903)

1879–80 · Etching and drypoint, printed in dark brown ink on ivory laid paper; eighth state of nine (Glasgow)

Cleared · Public Domain

live
The MetSimilar
The Traghetto, No. 2 by James McNeill Whistler, The Metropolitan Museum of Art

The Traghetto, No. 2

James McNeill Whistler (d. 1903)

1879–80 · Etching and drypoint; eighth state of nine (Glasgow); printed in dark brown ink on medium weight ivory laid paper

Cleared · Public Domain

live
The MetSimilar
Hercules carrying his club by Niccolò Roccatagliata, The Metropolitan Museum of Art

Hercules carrying his club

Niccolò Roccatagliata (d. 1636)

possibly 17th century or later cast · Bronze

Cleared · Public Domain

live
The MetSimilar
Hercules carrying his club by Niccolò Roccatagliata, The Metropolitan Museum of Art

Hercules carrying his club

Niccolò Roccatagliata (d. 1636)

possibly 17th century or later cast · Bronze, on a later stone base

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Il Ritratto di Venezia

Domenico Martinelli (d. 1669)

1684 · Printed book

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1892 · Wood engraving on Japan paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fishmarket, Venice, No. 2

Sir Muirhead Bone (d. 1953)

1915 · Drypoint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.