
Young St. John the Baptist
Antonio Lombardo (d. 1516)
early 16th century · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
222 ms. The Metropolitan Museum of Art, Collection API (Open Access)
518 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 661 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Young St. John the Baptist
Antonio Lombardo (d. 1516)
early 16th century · Bronze
Cleared · Public Domain
live
Essempio di recammi, page 12 (verso)
Giovanni Antonio Tagliente (d. 1528)
1530 · Woodcut
Cleared · Public Domain
live
Bernardo Soranzo
Andrea Spinelli (d. 1572)
1540 · Bronze
Cleared · Public Domain
live
The Riva, No. 2
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint, printed in dark brown ink on fine buff laid paper; only state (Glasgow)
Cleared · Public Domain
live
The Traghetto, No. 2
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint, printed in dark brown ink on ivory laid paper; eighth state of nine (Glasgow)
Cleared · Public Domain
live
The Traghetto, No. 2
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint; eighth state of nine (Glasgow); printed in dark brown ink on medium weight ivory laid paper
Cleared · Public Domain
live
Hercules carrying his club
Niccolò Roccatagliata (d. 1636)
possibly 17th century or later cast · Bronze
Cleared · Public Domain
live
Hercules carrying his club
Niccolò Roccatagliata (d. 1636)
possibly 17th century or later cast · Bronze, on a later stone base
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Il Ritratto di Venezia
Domenico Martinelli (d. 1669)
1684 · Printed book
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
John Ruskin (d. 1900)
1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs
Timothy Cole (d. 1931)
1892 · Wood engraving on Japan paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fishmarket, Venice, No. 2
Sir Muirhead Bone (d. 1953)
1915 · Drypoint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.