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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    401 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    303 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 48 matching records exist across the two collections.

Results for "The Flagellation; (reverse) The Madonna"12 records

Institutions answered newest-first by record, interleaved

Madonna and Child Enthroned by Master of the Magdalen, The Metropolitan Museum of Art

Madonna and Child Enthroned

Master of the Magdalen (d. 1295)

1295 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
Madonna and Child Enthroned by Master of Monte Oliveto, The Metropolitan Museum of Art

Madonna and Child Enthroned

Master of Monte Oliveto (d. 1335)

ca. 1315–20 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
Madonna and Child with the Annunciation and the Nativity by Goodhart Ducciesque Master, The Metropolitan Museum of Art

Madonna and Child with the Annunciation and the Nativity

Goodhart Ducciesque Master (d. 1330)

ca. 1310–15 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation by Spinello Aretino (Spinello di Luca Spinelli), The Metropolitan Museum of Art

Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation

Spinello Aretino (Spinello di Luca Spinelli) (d. 1410)

ca. 1395–1400 · Tempera on canvas, gold ground; photographic facsimile (Christ’s face on reverse)

Cleared · Public Domain

live
The MetSimilar
Triptych with Scenes from the Passion of Christ by Master Pertoldus, The Metropolitan Museum of Art

Triptych with Scenes from the Passion of Christ

Master Pertoldus

1494 · Silver, gilded silver, mother-of-pearl, bone, and cold enamel

Cleared · Public Domain

live
The MetSimilar
Virgin and Child with the Monkey (reverse copy) by Albrecht Dürer, The Metropolitan Museum of Art

Virgin and Child with the Monkey (reverse copy)

Albrecht Dürer (d. 1528)

n.d. · Engraving

Cleared · Public Domain

live
The MetSimilar
The Flagellation; (reverse) The Madonna of Mercy by Girolamo Romanino, The Metropolitan Museum of Art

The Flagellation; (reverse) The Madonna of Mercy

Girolamo Romanino (d. 1560)

ca. 1540 · Distemper and oil(?) on canvas

Cleared · Public Domain

live
The MetSimilar
Two Studies for the Madonna and Child (recto); Flagellation (verso) by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Two Studies for the Madonna and Child (recto); Flagellation (verso)

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and ink, one sketched in red

Cleared · Public Domain

live
The MetSimilar
Virgin and Child Seated by the Wall (reverse copy) by Albrecht Dürer, The Metropolitan Museum of Art

Virgin and Child Seated by the Wall (reverse copy)

Albrecht Dürer (d. 1528)

n.d. · Engraving

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Jésus est Battu de Verges pièce appelée aussi La Flagellation (The Flagellation), from La Petite Passion (The Little Passion) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Jésus est Battu de Verges pièce appelée aussi La Flagellation (The Flagellation), from La Petite Passion (The Little Passion)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
The Flagellation of Christ (recto); Madonna and Child and Unrelated Figure Studies (verso) by Anonymous, Spanish, School of Seville, 17th century, The Metropolitan Museum of Art

The Flagellation of Christ (recto); Madonna and Child and Unrelated Figure Studies (verso)

Anonymous, Spanish, School of Seville, 17th century (d. 1700)

17th century · Pen and brown ink with brush and gray-brown wash over traces of black chalk underdrawing (recto). Composition outlined in black chalk. On off-white paper. Pen and brown ink with brush and gray-brown wash over traces of black chalk underdrawing (verso)

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Magi (copy in reverse) by Carlo Maratti, The Metropolitan Museum of Art

The Adoration of the Magi (copy in reverse)

Carlo Maratti (d. 1713)

17th century · Etching; reverse copy (Bellini)

Cleared · Public Domain

live
The MetSimilar

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